Haydn: Symphony No. 70 in D major (with Score) скачать в хорошем качестве

Haydn: Symphony No. 70 in D major (with Score)

Franz Joseph Haydn: Symphony No. 70 in D major, Hob. I/70 (with Score) Composed: 1778-79 Conductor: Robin Ticciati Orchestra: Scottish Chamber Orchestra 00:00 1. Vivace con brio (D major) 04:47 2. Specie d'un canone in contrapunto doppio: Andante (D minor) 12:15 3. Minuet — Trio — Coda (D major) 15:15 4. Finale: Allegro con brio (D minor — D major) The Symphony No. 70 in D major, Hoboken 1/70, was written by Joseph Haydn to mark the start of construction of a new opera house on the Eszterháza estate. It was premiered on December 18, 1779—one of the few Haydn symphonies where the exact premiere date is known. The first movement is a sonata form allegro in 3/4 time, dominated by a motif established in the opening bars and consisting of two descending pairs of notes, firmly establishing the home key by using only notes in the D major triad. The exposition is marked for repeat, as are the development and recapitulation. The development begins with a repetition of the exposition's ending, but on unison C-naturals in the woodwinds and strings. The C-naturals come as a surprise to the listener: the note does not appear at all in the exposition. The rest of the development consists mainly of sustained notes for the woodwinds and opening descending pairs of notes in three-part counterpoint in the strings. In the recapitulation, the second half of the first theme group is heard in canon. The second movement is a double variation canon in the form ABA1B1A2, beginning and ending in the minor. The minor episodes are in double-inverted counterpoint, while the major episodes are homophonic. The third movement returns to the major key in a minuet with trio. As something of a surprise, fairly unusual in Haydn's symphonic minuets, "a coda which is immensely affirmative" is added for the da capo repeat of the minuet. The final movement, in D minor, is structured in an ABABA form. The A section begins hesitantly with a five-note motif of repeated Ds, initially pianissimo, but quickly erupting into a "triple [two-part] fugue of real power." The B section is contrapuntal, with a singular theme somewhat based on the A section motif, and beginning with a fugue-like opening.[citation needed] This is developed at length and then winds down, leading to a short restatement of the A section and an even shorter restatement of the B section. The movement finishes with a playfully modified version of the A section in D major, ending on a single tonic note tutti. As all of the movements have the same tonic, the work is homotonal.