François-Joseph Gossec (1734-1829) - Dernière Messe des vivants (1813) скачать в хорошем качестве

François-Joseph Gossec (1734-1829) - Dernière Messe des vivants (1813)

★ Follow music ►   / reciclassicat   Composer: François-Joseph Gossec (1734-1829) Work: Dernière Messe des Vivants composée en 1813 Performers: Margot Parès-Rеyna (soprano); Jacqueline Mayеur (alto); Alexandre Laitеr (tenor); Michel Piquеmal (bass); Choeur Régional Vittoria d'lle de Picardie; Le Sinfonietta, Orchestre Régional de Picardie; Dominique Rοuіts (conductor) Dernière Messe des vivants (1813) 1. Kyrie 0:00 2. Gloria 7:58 3. Credo 22:18 4. Sanctus 38:47 5. Agnus Dei 40:17 Painting: Jacques Louis David (1748-1825) - Serment de l'armée fait à l'Empereur Napoleon après la distribution des aigles, 5 décembre 1804 HD image: https://flic.kr/p/27YYxx3 Painting: Antoine Vestier (1740-1824) - Portrait de François-Joseph Gossec (1791) HD image: https://flic.kr/p/2kgQRgB Further info: https://www.amazon.com/-/es/Gossec/dp... Listen free: No available --- François-Joseph Gossec [Gaussé, Gossei, Gosset et al.] (Vergnies, 17 January 1734 - Passy, 16 February 1829) French-Belgian composer. He was born into a Walloon family. In early childhood he displayed remarkable musical talent and reputedly possessed a beautiful voice. From the age of six he sang at the collegiate church of Walcourt. Shortly thereafter he was listed as a singer in the chapel of Ste Aldegonde in Mauberge; while there he joined the chapel of St Pierre and received instruction in the violin, harpsichord, harmony and composition from its music director, Jean Vanderbelen. In 1742 he became a chorister at Antwerp Cathedral, where he pursued further studies with André-Joseph Blavier. He went to Paris in 1751 and in 1754 succeeded Jean-Philippe Rameau as director of the orchestra of the wealthy amateur La Pouplinière (or La Popelinière). There he came under the influence of Johann Stamitz, the pre-Classical symphonist, who was briefly also in La Pouplinière’s employ. In 1754 he performed the first of his 30 symphonies. Later, as musical director to the Prince de Condé, he also composed operas, some of which were popular successes. In 1773 he became director of the Concert Spirituel, and in 1795, on the founding of the Paris Conservatory, he served as an inspector and teacher there until 1816. Throughout, he was in the foreground of Parisian musical activity, founding his own orchestra and giving the first performance of a Haydn symphony in Paris, supporting Christoph Willibald Gluck in his rivalry with Niccolò Piccinni and writing copious amounts of music in support of the French Revolution. He was a prolific composer, writing 48 symphonies, six sinfonia concertantes, 22 operas, four ballets, 12 trio sonatas, six string quartets and six flute quartets, three Te Deums (including a massive multimovement work from 1817), two oratorios, a Requiem, three Masses, numerous smaller sacred works, a wind symphony, and dozens of Revolutionary hymns, dirges, marches and cantatas. Gossec was an experimenter in choral and orchestral writing. He expanded the French orchestra to include horns and clarinets and experimented with novel combinations of instruments and voices. His career reflects the changing social position of the Parisian musician between the mid-18th century and the early 19th Century. His son Alexandre François Joseph Gossec (c.1760-after 1803) was also a composer.