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Learn to combine simple triad arpeggio shapes to a more sophisticated shape across the neck over two and three octaves. Learn major, minor and diminished triad arpeggios and find out how to use them in modal music like Dorian, Phrygian, Lydian and Mixolydian. Complete with tablature, lots of examples and crystal clear explanation. *** correction *** In the section about superimposing arpeggios over other chords, I mentioned that D over G results in a Gmaj11 chord. That's an error. It results in a G maj9 chord. ******************** Chapters: 00:00 Example 00:27 Introduction 01:00 Recap of Triads in the Major scale 01:57 Building the Arpeggio 02:41 The major triad arpeggio 04:31 The minor triad arpeggio 05:36 Example with both major and minor arpeggio 06:02 Modal use of the triad arpeggio 08:41 Expand to 3 octaves 09:56 The diminished arpeggio 10:33 Superimposing triad arpeggios You can support me on my patreon page (also for tabs of the licks played in this video): www.patreon.com/QJamTracks Artwork: (c) 2020) Rob van Hal Used: Ibanez JEM 7vb (www.Ibanez.com) Ibanez SD GR Bass (www.Ibanez.com) Takamine GD930 (www.takamine.com) Castilla Classical Guitars Samson Concert 99 Wireless system Rode Microphone Axe FX II (www.fractalaudio.com) Social Media/contact: www.patreon.com/QJamTracks www.facebook.com/QJamTracks www.instagram.com/QJamTracks / qjamtracks (c)2020 Rob van Hal, Netherlands