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[00:12] Intro & Season 2 Episode 6 Overview [01:05] Recap: From Live-Action Failures to AI Successes [02:24] David Chapman's Critical Study: Why He Left AI in 1993 [04:38] Explaining Neural Network Dropouts & Cross-Validation [06:51] Mechanics of Dropouts: Why Randomly Deactivating Neurons Works [09:56] Switching to Gemini: Why the Host is "Firing" ChatGPT [11:46] Part 2: Introduction to the 14th OKAI Gathering & Cinema Synthetica 3.0 [13:13] Interview with Edmund Yang: AI Movie Making Workshops [16:50] Workshop Requirements & Individual Project Goals [20:02] Tips for Solo AI Artists: Learning by Doing [22:13] Winning the Odyssey AI Competition & Creative Partner Programs [24:22] AI Law & Copyright: Can You Own Your AI-Generated Content? [26:10] Avoiding Infringement: The Risks of Prompting Brand Names (Disney/Pixar) [30:07] The Growth of Oslo Creative AI (OKAI) Beyond Oslo [31:47] OutroWe continue exploring the creative uses of AI in Norway. This week, we dive into the enormous purpose of Neural Networks and Large Language Models (LLMs) like ChatGPT, focusing on my personal philosophy for using them: To do a lot, with as little as possible.Welcome to Episode 6 of Season 2! In this packed episode of "About Creative Uses of AI in Norway," we balance the technical with the creative. 🇳🇴 First, we dive into a critical study of neural networks, referencing David Chapman's work to understand the "why" and "how" behind AI components like dropouts and cross-validation—without the buzzwords. Then, in Part 2, I’m joined by special guest Edmund Yang for an insightful interview! Edmund discusses his AI workshops, his award-winning short film "One Last Wish," and his work with international clients. We also tackle the tricky subject of AI copyright, fan fiction, and what you actually own when you create hybrid AI content. 🎬⚖️ In this video, we cover: Neural Network Deep Dive: Breaking down complex concepts like Dropouts and Cross-Validation using simple analogies (and challenging Gemini/ChatGPT to explain them like I'm 10). David Chapman's AI Critique: Why a PhD in AI left the field in the 90s and his critical perspective on modern neural networks. Interview with Edmund Yang: Insights into his AI filmmaking workshops and how he teaches creative AI tools. AI Copyright & Ethics: A candid discussion on owning your AI generations, the dangers of infringing on major brands like Disney/Pixar, and the "grey zone" of fan fiction. Oslo Creative AI: How the community is expanding to other cities like Trondheim. Timestamps: [00:00] Intro & Season Recap (My failed live-action film vs. AI success) [02:24] David Chapman's Critical Study of AI & Neural Networks [04:36] What are Dropouts & Cross-Validation? (Gemini Explains) [06:30] "Explain Like I'm 10": Analogies for Neural Network Training [10:23] Why I’m Switching from ChatGPT to Gemini [11:54] Cinema Synthetica 3.0 & Oslo Creative AI Update [13:00] Interview with Edmund Yang: AI Workshops & Teaching Methods [20:55] Tips for Solo AI Artists & Filmmakers [22:38] Edmund's Award-Winning Film "One Last Wish" & King AI [24:22] The Truth About AI Copyright: Do You Own Your Hybrid Movies? [27:40] The Danger of "Pixar Style" Prompts & Fan Fiction [30:16] Expanding the Creative AI Community (Trondheim & Beyond) Support the Channel: If you enjoyed this mix of deep tech theory and creative filmmaking advice, please Like, Comment, and Subscribe! Have you ever worried about copyright with your AI art? Let me know below! 👇 #ai #neuralnetworks #davidchapman #creativeai #filmmaking #copyright #machinelearning #techeducation #norway #gemini #chatgpt #deeplearning #indiefilm