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Prelude No. 1 (Heitor Villa-Lobos)

Prelude No. 1 a Mindinha Composer: Heitor Villa-Lobos (1887 - 1959) Performer: Ming Huang June 28, 2025 Washington State, USA www.burnabyguitar.com Heitor Villa-Lobos (March 5, 1887 – November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. Among his most celebrated works for classical guitar is “Prelude No. 1,” a piece that has captivated both audiences and guitarists alike for decades. This prelude is part of his collection of five preludes for guitar, composed in 1940, and remains a staple in the repertoire of intermediate to advanced classical guitarists. “Prelude No. 1” is composed in E minor and embodies a combination of lyrical melody and rhythmic intensity that is characteristic of Villa-Lobos’ style. The piece begins with a haunting and evocative melody played on the treble strings, which is then juxtaposed with a more rhythmic and lively middle section. The subtitle is "a Mindinha". Mindinha is the nickname for Arminda Neves d'Almeida, Heitor Villa-Lobos' second wife. He dedicated his Cinq Préludes (Five Preludes), including Prelude No. 1, to her. Villa-Lobos had a deep connection to the guitar, and his preludes are a reflection of his intimate understanding of the instrument. “Prelude No. 1” showcases the guitar’s ability to express a range of emotions, from melancholy and introspection to moments of bright, rhythmic vitality. The structure of the piece is built on contrasts: the slower, lyrical passages seamlessly give way to faster, more rhythmically driven sections. This prelude is also one of the selected pieces for Level 8 of the Royal Conservatory of Music exams in Canada The “Prelude No. 1” is also emblematic of Villa-Lobos’ synthesis of Brazilian folk music with classical traditions. The piece is filled with influences from choro music, a popular Brazilian instrumental genre that Villa-Lobos adored, as well as European classical techniques that he mastered throughout his career. 前奏曲第一号 (海托尔·维拉-洛博斯) 海托尔·维拉-洛博斯（Heitor Villa-Lobos，1887年3月5日－1959年11月17日）是一位巴西作曲家、指挥家、大提琴家及古典吉他演奏家，被誉为“20世纪巴西艺术音乐中最具创意的重要人物”。他也成为有史以来最知名的南美作曲家之一。 在他众多为古典吉他创作的杰作中，《前奏曲第一号》尤其受到听众与吉他演奏者的青睐。这首作品创作于1940年，是他为吉他谱写的五首前奏曲之一，并长期稳居中高级吉他手的必学曲目。 《前奏曲第一号》以E小调写成，兼具抒情旋律与强烈节奏的特色，充分体现了维拉-洛博斯的风格。作品开头使用高音弦奏出幽幽而感性的旋律，随后进入节奏鲜明、充满活力的中段。“a Mindinha”是这首前奏曲的副标题，“Mindinha”是维拉-洛博斯的第二任妻子阿明达·内维斯·德阿尔梅达（Arminda Neves d'Almeida）的昵称。他将整部《五首前奏曲》（Cinq Préludes）献给了她。 维拉-洛博斯对吉他有着深刻的理解与情感联系，这些前奏曲正是他这种亲密关系的结晶。《前奏曲第一号》展现了吉他所能表达的丰富情感，从忧郁沉思到明亮跳跃的节奏活力，结构上以对比为核心，慢速抒情段落与快速节奏段落交替转换，融为一体。 此外，《前奏曲第一号》也象征着他将巴西民间音乐与古典传统相结合的创作理念。作品中可见他对“肖罗”（choro，一种巴西流行器乐风格）的热爱，以及他在音乐生涯中掌握的欧洲古典技巧。这首前奏曲也是加拿大皇家音乐考级第8级的选曲之一。