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Head In, Solo x2, Head Out Medium Slow Swing 110 BPM Download a free chord chart for this tune here: https://www.jazzguitarcomprehensive.c... Check out my page for hundreds more of the best Play-Alongs and Loops in the world! Join me on Patreon for Backing Tracks and Lead Sheets each week, as well as much more: ► / jazzguitarcomprehensive Some notes about the composition as found on https://www.jazzguitarcomprehensive.com/ Composer: Jimmy McHugh Lyricist: Dorothy Fields Year: 1928 Origin: Introduced by Adelaide Hall in Lew Leslie's Blackbird Revue. Style: Swing, taken at a wide variety of tempos. Form: A1-B-A2-C (32 Bars) [8-8-8-8] Verse: A1-B-A2 (16 Bars) [8-4-4] Almost never included in performances, a 1928 recording from Martha Copeland features it. Key: Taken in a wide variety of keys, lead sheets will often include this piece in either C or G Major. However, Ab is also a very popular key with seminal recordings made by the likes of Louis Armstrong as well as Sonny Stitt and Oscar Peterson. Harmony/Overview: The harmony of this composition is very functional. The A sections both begin with the very common progression of IMaj7 - bIIIdim7 - IImi7 - V7, and A1 repeats this once again. The B section begins with a II - V of IVMaj7, and finishes with a momentary stay on II7 before a final II - V returns back to the tonic. The second A section begins identically to the first, only in the following 4 bars it continues with a II - V of IVMaj7. The final C section is also very conventional, with the very common movement of IVMaj7 - # IVdim7 - IMaj7/V, before a V7 of II then leads to the final II - V which returns to the tonic to conclude the form. Recordings: This song has been recorded over 535 times to date. It was first introduced by Adelaide Hall at Les Ambassadeurs Club in New York in January of 1928 in Lew Leslie's Blackbird Revue, which later opened on Broadway that year as Blackbirds of 1928. The first studio recording was also made in 1928 by Meyer Davis' Swanee Syncopators. Many notable jazz musicians would also go on to record it, from the likes of Louis Armstrong, Benny Goodman, Sonny Stitt, and Ella Fitzgerald to name a few. JGC Top Picks: Louis Armstrong, 1929 Sonny Stitt, Sonny Stitt Sits In With the Oscar Peterson Trio, 1959 Ella Fitzgerald, Fine and Mellow, 1974 Please consider supporting this channel through a donation, https://www.paypal.com/paypalme/jazzg... Be sure to subscribe to my main channel: / @jazzguitarcomprehensive As well as JGC History to trace the lineage of some of the most important compositions in jazz: / @jgchistory The World's Premier Site for Jazz Guitar Education and Beyond https://www.jazzguitarcomprehensive.com/ #OrganTrio #JazzBackingTracks #ICantGiveYouAnythingButLove