Colin Bailey (R.I.P.) : Bass Drum: About Setting Up the Pedal... скачать в хорошем качестве

Colin Bailey (R.I.P.) : Bass Drum: About Setting Up the Pedal...

Colin Bailey (R.I.P.): Bass Drum Technique: About Setting Up the Pedal from the DVD: Colin Bailey: Bass Drum Technique - provided to Drummerworld by Colin Bailey himself - thanks a lot...more details here: https://www.drummerworld.com/Videos/c... ...more Videos here at DRUMMERWORLD: https://www.drummerworld.com/drummers... Born in Swindon, England on July 9th 1934, Colin Bailey began playing drums at age four. He also studied piano and theory at an early age, and worked with English name bands from age eighteen. Colin lived in Australia in the late fifties and was staff drummer at T.V. Channel 9 in Sydney. At that time he accompanied distinguished visiting jazz artists such as Dizzy Gillespie and Sarah Vaughan. In 1960, Colin met the biggest influence in his life as a drummer: Joe Morello came to Australia on a tour with the Dave Brubeck Quartet. Colin was in the group that was opening for Brubeck. He says, “I had heard Joe play on a record. I knew he had tremendous chops, but when I saw and heard him play in person, I just had to have that technique. For two weeks, as soon as Joe woke up every day, there I was with the practice pad. He was so gracious, showing me the George Lawrence Stone finger control technique. It changed my life. I put in many hours every day trying to get it down, (I am still practicing mastering it!) and it made a big difference in my playing. I had a lot more control with volume, and could play quietly with intensity, something that is tough for a lot of drummers. Joe and I have been the best of friends ever since.” In 1961, Colin emigrated to the U.S.A. as a member of the Australian Jazz Quartet. Six weeks later he joined the Vince Guaraldi Trio, and played clubs in San Francisco, including several months at the Trident in Sausalito, and other well known clubs such as The Blackhawk and Jazz Workshop. During this period, the trio played with such jazz greats as Ben Webster, Jimmy Witherspoon, and Gene Ammons. From 1963-1979, Colin Bailey’s jazz career in L.A. and on the road was extensive, playing and recording with, among others: Joe Pass, Victor Feldman, Joe Williams, Benny Goodman, George Shearing, Chet Baker, Hampton Hawes, Jim Hall, Red Mitchell, Roger Kellaway, Phil Woods, Pete Jolly, Ray Brown, Tommy Flanagan, Terry Gibbs, Buddy De Franco, Jimmy Rowles, Barney Kessel, Herb Ellis, Joao Gilberto, Peggy Lee, Tony Bennett, Coleman Hawkins, Gerry Mulligan, Michel Legrand, Dave Grusin, Harry ‘Sweets’ Edison, Clare Fischer, and Blossom Dearie. In September of 1963, Colin was called to sub for Tony Williams in the new Miles Davis Quintet. Miles’ group had been booked at another jazz club in L.A. called the It Club. Miles had spent several nights at The Scene (the club that Colin was playing in with Victor Feldman) because he wanted Victor to be the piano player in his new band. Victor surprisingly declined, and Miles hired Herbie Hancock. When Miles and the Band got to the club for a sound check there were some people there from some kind of board that said Tony, who was only 16 at the time, was too young to play in such a place! Miles needed a drummer, and having heard Colin with Victor, he called him to fill in for a couple of nights until they could sneak Tony in. “That,” says Colin, “was one of the thrills of my life.” #colinbailey #bassdrum #drummerworld #drummer #drummers #drums #drumvideo