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Homebody, by Andrea Mazzariello

Home Body was written by Andrea Mazzariello for David Degge, as part of his initiative to commission new works for hammered dulcimer. The piece asks David to play irregular patterns in the dulcimer in his hands while his feet lay down a basic 4/4 break between kick drum and hi hat. His voice enters and adds another level of independence, and then the hands pull apart into a more contrapuntal texture as the vocal part continues to intensify. The words reshuffle and recycle over the course of the piece, folding the mundane details of daily life into something more profound, or perhaps discovering profundity in the seemingly mundane. Home Body is available from One More Revolution Records on limited edition 12" vinyl, hand -stamped and -numbered, from a 100-unit run. Download card included: https://www.onemorerevolution.com/buy... Mp3s and digital artwork available here: https://www.onemorerevolution.com/buy... For more info on Andrea Mazzariello's work, please visit http://www.andreamazzariello.com --- Bass Drum Beater: #vfVKB2 - VicKick Beater 1 Wood http://vicfirth.com/products/alternat... --- ABOUT THE PERFORMER: David Degge exemplifies the modern innovative percussionist. His artistry combines virtuosity on percussion instruments, a collaborative spirit in ensemble music, dedication to mentorship, and the determination to carve out a new repertoire for the hammered dulcimer. His recent performance with Sō Percussion of Steve Reich’s Drumming at Lincoln Center was hailed by the New York Times for its “clarity and vivacity…a pure, uncluttered pleasure.” David was a founding member of the quartet Mobius Percussion, a group that specializes in blending voice and percussion. Mobius’ body of work creates heightened theatrical experiences through both live performance and video documentation. The original members of the group met through the Sō Percussion Summer Institute and first honed their style of performance by commissioning Jason Treuting’s paper melodies (my music box music). Other works followed by composers such as Wally Gunn, Andrea Mazzariello, Quinn Collins, and Dan Trueman. Trueman’s Bessie-award winning score to the dance work There Might Be Others featured Mobius as core collaborators. After finishing his Masters in percussion performance with Robert van Sice at the Peabody Conservatory, David won a Fulbright fellowship to study with Zoltán Rácz of the Amadinda Percussion Group at the Liszt Academy in Budapest – the only American student to ever do so. During his Fulbright year, David followed Amadinda closely, studying the inner workings of the legendary ensemble during their 30th anniversary season. Performance highlights during that year include Music For 18 Musicians at the Liszt Academy, solo performance at the annual Fulbright Conference in Berlin, Germany, UMZE Chamber Ensemble at the Budapest Music Center, and Morton Feldman’s Why Patterns? with András Wilheim and Anna Rákóczy at the Budapest Center for Architecture. Part of David’s Fulbright project was to learn about new Hungarian pieces and bring them to the United States; his video of Balázs Juhász’s 25-minute marimba solo Wind-Rose-Wood-Cuts on Vic Firth’s website introduced a previously unknown major work to a broader audience. Upon returning to the United States, David accepted the Percussion Teaching Fellowship with Sō Percussion’s program at the Bard College Conservatory of Music. In this role, he is an ongoing resource for undergraduate percussion students as a mentor, chamber ensemble coach, supplementary lesson instructor, and studio manager. Since beginning his work at Bard, David has joined the Bard Preparatory Division as its first percussion faculty member, teaching private lessons and offering group rhythm classes. David currently lives in New York City where he works as a freelance percussionist and teaches percussion privately in various capacities, including a roster of students from the city and the Hudson Valley, as well as a Teaching Artist position through the educational division of the American Composer’s Orchestra. In the summer he works as Operations Manager for the Sō Percussion Summer Institute in Princeton, New Jersey. He is a proud endorser of Vic Firth sticks and mallets.