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Albert Camus’s short life began in Algiers in 1913 and ended in a car crash near Paris in 1960. After being rejected from the École Normale because of a failed medical assessment, Camus became a journalist in Algiers and planned his writing career around three concepts based on the figures of Sisyphus, Prometheus and Nemesis, a scheme that he never finished. Jonathan Rée explains the ways in which Camus’s philosophy differed from that of Jean-Paul Sartre and Simone de Beauvoir, with whom he’s often associated, and why his most famous novel, 'L’Étranger', has been so misunderstood in the English-speaking world. This is an extract from the series 'Conversations in Philosophy' with Jonathan Rée and James Wood, part of the Close Readings podcast from the London Review of Books. To listen in full, and to all our other Close Readings series, subscribe: Directly in Apple Podcasts: https://lrb.me/applecryt In other podcast apps: https://lrb.me/closereadingsyt James Wood teaches literature at Harvard University and is a staff writer for The New Yorker as well as a contributor to the London Review of Books. His books include How Fiction Works, The Broken Estate and The Irresponsible Self. Jonathan Rée is a frequent contributor to the London Review of Books and a freelance writer and philosopher. His most recent book on philosophy is Witcraft: The Invention of Philosophy in English. Get in touch: [email protected] #philosophy #literature ABOUT CLOSE READINGS Close Readings is a multi-series podcast subscription from the London Review of Books which looks at different periods and themes in literature through selections of key texts, covering poetry, fiction, history and philosophy from Ancient Greece to the present day. Find more episodes here: • Close Readings Subscribe: https://lrb.me/closereadingsyt ABOUT THE LRB The LRB is Europe’s leading magazine of books and ideas. Published twice a month, it provides a space for some of the world’s best writers to explore a wide variety of subjects in exhilarating detail – from culture and politics to science and technology via history and philosophy. In the age of the long read, the LRB remains the pre-eminent exponent of the intellectual essay, admired around the world for its fearlessness, its range and its elegance. As well as essays and book reviews each issue also contains poems, an exhibition review, ‘short cuts’, letters and a diary, and is available in print, online, and offline via our app. Subscribers enjoy unlimited access to almost 15,000 articles in our digital archive. Our website features a regular blog and a channel of audio and video content, including podcasts, author interviews and highlights from the events programme at the London Review Bookshop.