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Rajeev Patel explores the theory that prominent Hindu iconography originated from Buddhist traditions. The author suggests that sacred objects like the Shankh and Chakra were originally emblems of Avalokiteshvara representing the dispersal of ignorance and the Eightfold Path. According to the source, these symbols were later rebranded during the medieval period to fit a Vaishnavite narrative, transforming them into attributes of deities like Vishnu. Patel argues that sites such as Tirupati Balaji reflect this transition, where Dharmachakras were reinterpreted as divine weapons. Ultimately, the source claims that many traditional markers were given a new sectarian identity while maintaining their original physical forms.