ZICO - HEADLESS ELVIS - a tribute to Charlie Megira - Music by Boaz Goldberg (Full Album) скачать в хорошем качестве

ZICO - HEADLESS ELVIS - a tribute to Charlie Megira - Music by Boaz Goldberg (Full Album)

HEADLESS ELVIS: 0:00 - Gabi My Friend 2:23 - Pink World 5:11 - The Chopper 5:40 - Charlie`s Leap (Zoozoo Otamootoo reimagined) 9:46 - Zico`s Way 13:42 - Frankengolem 14:40 - Pink Punk 15:48 - Dear Narcoza 18:07 - Check Out The Tremolando 18:48 - End Of The Nineties 22:09 - Short Chase 22:56 - Dear Narcoza 2 24:31 - Charlie`s Farewell All tracks composed and performed by ZICO (Boaz Goldberg): Guitars, Bass Guitar, Korg Synthesizer, Vocals, Drums, Wind Chimes, Claps, Sansula, Voices, Percussion & Spring Drum Thunder Tube ^Written by Goldberg-Abudraham (Les` Lost Boys/ Naarey Ha-Hefker, 2000). ^^Words by Dennis Linde Produced by Boaz Goldberg & Sagi Barnes Recording Engineer, Mix & Mastering: Sagi Barnes Tracks recorded and mixed between 2017 to 2020 Sleeve photo: Sivan (Petite) Meller Sleeve Design: Valentin P. Monnereau Special thanks: ◇ Dorin Shauly - Heavenly vocals on Charlie’s Farewell ◇ Sagi Barnes - Synth Bass on Charlie's Farewell Radio Fragments: ◇ Thank you Joe Belock & Mario Santana (WFMU’s Three Chord Monte) ◇ Thank You Johnny Pemberton (Twisting The Wind podcast) Tracks 2, 3, 6, 7, 8, 9, 11, 12 are outtakes from Tomorrow's Gone soundtrack sessions Tracks 1, 4, 5, 10 & 13 are the full versions of various tracks from Tomorrow's Gone soundtrack This album is dedicated to Gabi Abudraham - 1972-2016 Watch TOMMOROW'S GONE full movie HD online (English Subs) - https://vimeo.com/ondemand/tomorrowsgone for French subtitles, go to: vimeo.com/ondemand/429189 * * Love comes in a burst, it comes in a jet stream. This is what Richard Hell says in the song "Love Comes In Spurts". For me it's the same thing, only with music. About once every ten years it happens. A thing leads to another, and all of a sudden I go back to the instruments, to the recordings - I go back to making music. My last outburst started in early 2017, shortly after I received the bitter news: Charlie Megira, aka Gabi Abudraham, was no longer walking among us. Deep in my heart, I knew it: that film that would tell his story, the one I started in the early 2000`s, will be fully formed. It was clear to me that this time nothing would stop me. First of all, even before I collected all the materials and converted, transcribed, wrote, filmed some more footage and started editing - I was busy imagining what my film would sound like. It was also my way of mourning. This is where another musician friend, Sagi Barnes, walks in. Trying to fulfill a 30-year-old shared dream, I suggested I would bring ideas and all sorts of things I had written with different instruments, and Sagi would serve as a recording engineer and co-producer. I brought guitars - electric, bass and classical. I brought a Korg synthesizer. I brought wind chimes. I played drums. I brought African percussion. I brought to the death scene at the end a singer with a big voice, carrying a lament. Each segment was born with its own concept, with a specific concentration. And yes, I even brought my voice to sing one song, which is the first song that Gabi Abudraham recorded on his 4-channel tape - I think it was recorded in 1999 - "Pink World". The recording itself was lost, but what was not lost is the whole movement of the song inside my head. It was supposed to be a song by Les` Lost Boys (Naarey Ha-Hefker) - the short-lived duo of Gabi and mine. We worked on it a lot and then we stopped, but I - even in periods where I had not played for many years - saved it. And saved. And saved. On track number 2, the song "Pink World" is reborn, and this time I do the guitars and vocals. Charlie would call such an act: “the other possibility”. A bit like you see in one of his favorite films, “Mulholland Drive”, with all the parallel realities happening there. This album is the alternative soundtrack of the film "Tomorrow's Gone”. I would say it is most similar to the soundtrack of a horror movie. After all, my initial experience from Gabi's death was a horror movie experience. That was also the initial direction of the film, before it became entirely documentary. “Headless Elvis” contains all the tracks recorded for the film, those that I put in and those that I didn`t - all in full versions. I'll just conclude that really, as Richard Hell says, love comes in spurts, it comes in a jet stream. The outburst of "Headless Elvis" took place following that very sad death event, and the after-death of Charlie reminded me very vividly what a musical hero he was. There has not been and will never be anyone who plays, writes and sings like Charlie Megira. "Headless Elvis" salutes Charlie in other things - in terms of abstraction, of going beyond boundaries, of daring to go for a walk. This album, my debut album, would never come out without Charlie, and it is devoted with intense love to Charlie Megira, Gabi Abudraham R.I.P. Boaz Goldberg Tel Aviv, 2020 https://tomorrowsgonemovie.wixsite.co...