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Starring Mav Bernardo & Cenon Norial III Produced in cooperation with Arsenal Cinematography Company & Aputure Philippines CREW Directors: MV Isip & Denzel Joaquino Director of Photography: Renz Gonzales Executive Producer: Katrina Yupangco Producer: Jayson Sinlao Production Designer: Justine Arcega-Bumanlag Stylist: Shaira Luna Hair & Makeup Artist: Don De Jesus Hairstylist: Miggy Carbonilla Asisstant Makeup Artist: Chloe Bersuela Rope Artist: Mistress Joyen 1st AC/Focus Puller: Louie Quiñones Gaffer: Ar-ar Ancero Camera Equipment: Arsenal Lights: Aputure Philippines Grip Equipment: Motion Capture Set Men: Jan Abal, John Amon, Jonel Navarro, Mario Taipen, Olderico Bondoc, Jeber Cunanan, Rodel Bondoc, Nicomedes Narte Production Assistant: Andrea Valenzuela Editors: MV Isip & Denzel Joaquino Colorist: MV Isip ARSENAL Camera Assist: Regie Cardona & Manuel Bermundo Ronin Assist: Joel Mendoza Rental Coordinator: Alysa Gabuyo Rental Supervisor: Jenifer Lozano Finance: Harlyn Buena Dispatch / Technical Supervisor: Albert Magallanes Managing Director: Bernard Dacanay BTS Team: Hix Murakami & Pat Kay Laudencia Interns: Ally Arabani, Rance Dizon, Robi Kang, and Oryo Rodriguez APUTURE PHILIPPINES Head / Brand Developer: Gabriel Lorenzo Pagcaliwagan Project Manager: Yssa Valdes Equipment Manager: Jeffrey Paver Key Grip: John Paul Obales BRICKCITY Jacques Concepcion Mark Valenzuela Marko Silang Julian Ordoño AJ Garde Morissey Hans Racca Special Thanks: Sonata Laygo, Faya DLC, Kim Silang, Jhamir Mabunga, Hanna Jabla, Merick Eusebio, Marc Lester Faraon, Kathleen Resurreccion, Isabella Dela Peña, Camille Mendoza Valenzuela, and Baby Zoe Recorded by: Normand Yu at Glasstone Studios and Hannah Jabla at This is Where I Make Music Mixed and Mastered by: Emil Dela Rosa ---------------------------------------- We speak in slow motion, taking time between verbs and numbers. I once heard that manners make your heart warmer. So speak slower, so I could cherish every letter of your laughter. Don't worry, I don't mind the stutters, nor the irrelevant punctuations— those long hyphens and Oxford commas. You could have your own alphabet where “U” and “I” are not an inch farther, nor the length of your tongue when it curls into a hook, so you could pull me in closer like a salt fish lost in the river, thinking that swimming against the current is much cooler. I could be your dinner. I won’t complain even if you redundantly wash me over water before you even boil me. Salt and pepper. I won’t even dare close my eyes when you pull out my guts. I’ll try to remember I could be anywhere in the world, but I chose to be here, watching your graceful lips emit vowel after vowel, a vocabulary struggle before you even devour my gentle bones. Your breath, I desire— teeth pressed against my flesh, I smiled between gasps. 'Cause you remembered to close your mouth when you chew. 'Cause you remembered that manners make my heart warmer.