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Times Music Present Sai Parmeshwar Sai Karuneshwar sung by Suresh Wadkar. The devoted worship (Upasana) of the highest entity (Parameshwar), in its form with all its attributes is of great importance. For the ordinary man, the abstract idea, the formless concept of God, has always been incomprehensible. That is why worship (puja) performed with all its different accessories of the idol with flowers, garments and ornaments creates in the mind of the devotee a distinctive attachment for the Lord. Arati is a specially significant offering of worship. Because of the whole atmosphere created with the resounding music of auspicious musical instruments, Arati leads to the high concentration of the total congregation. The necessary atmosphere for utmost concentration is produced. That is why Arati, as an expression of devotion, has become respected by people and the devotees look upon it as a necessary contributive form of worship. Arati is an indigenous or Dravidian word and auspicious five lamps, incense, and lighted wicks are its different forms (for different timings of the day). In reality, Arati is not included in the sixteen forms of daily ritual worship. Similarly, Arati is not mentioned in the Five Upachars or Prakaar. It may be that Arati was introduced to Aryans after their contact with Dravidian culture and perhaps it became more popular in the Bhakti Tradition of worship or devotion to a personal God. This is gathered from available information. Even if the Arati is not included in the sixteen sub-rituals at the end of worship, there are various rites such as: 1. Holding the umbrella2. Waving silken flowing threads in front and at the sides.3. Song4. Music / Instruments5. Dance6. MovementsSince these later forms are included in Arati at the end of the formal Puja, Arati has become a form accepted by even the traditionalists and has increased in importance. In South India, Arati is an important ritual. And there, during the various Aratis offered, the waving of lamps, and ringing of sonorous bells, the blowing of the conch and playing of various instruments are continuous during the Arati. However, singing is absent. In Goa, there is a rich tradition of setting different Aratis to beautiful vocal music. Nevertheless, in large temples, at the time of Arati, the loud sounds of musical instruments is a noteworthy characteristic, but vocal singing is absent. The similar custom is prevalent to a certain extent in Maharashtra. In the Northern Provinces, this form of Arati is accepted but not as vigorously as it is in Maharashtra and in the South. Arati there is never set to Music.There are various ways to prepare for Arati. Track - Mere Sai Sagun Sai Singer - Lata Mangeshkar Composer - Mayuresh Pai Lyrics - Chandrashekar Sanekar Language - Hindi Label - Times Music Spiritual Like || Comment || Subscribe || Share Make sure you subscribe and never miss a video: https://www.youtube.com/user/timesmus... For more updates: Like us on: www.facebook.com/timesmusic Follow us on: www.twitter.com/timesmusicHub Join our Circle: www.google.com/+TimesMusic