Mattia Battistini (baritone) - O santa medaglia...Dio possente ('Faust' - Gounod) (1911) скачать в хорошем качестве

Mattia Battistini (baritone) - O santa medaglia...Dio possente ('Faust' - Gounod) (1911)

Mattia Battistini sings 'O santa medaglia...Dio possente,' with orchestra conducted by Carlo Sabajno, recorded in Milan on 3 June 1911. From Wikipedia: Mattia Battistini (27 February 1856 – 7 November 1928) was an Italian operatic baritone. He was called 'King of Baritones.' Battistini was born in Rome...[He] attended the Collegio Bandinelli and later the Istituto dell' Apollinare. Battistini dropped out of law school to study with Emilio Terziani (who taught composition) and with Venceslao Persichini (professor of singing) at the Accademia Nazionale di Santa Cecilia—then the Liceo Musicale of Rome. [He] worked with conductor Luigi Mancinelli and the composer Augusto Rotoli, and he consulted with baritone Antonio Cotogni, in an effort to refine his technique... A 22-year-old Battistini made his operatic début at the Teatro Argentina, Rome, as Alfonso in Donizetti's La Favorita on...9 November 1878... During the first three years of his professional career he toured Italy... In 1881 he went to Buenos Aires for the first time, touring South America for more than 12 months. On his return trip, he appeared in Barcelona and Madrid... His success...was enormous and it marked the beginning of his ascent to major operatic stardom. In 1883, he undertook his first visit to the Royal Opera House at London's Covent Garden, where he appeared as Riccardo in Vincenzo Bellini's I Puritani in a stellar cast... He also sang opposite Adelina Patti, the leading soprano of her era, in other Covent Garden productions. In such exulted and entrenched company there was not much attention paid to a new, unheralded young baritone! However, he would receive much greater réclame in London during subsequent Covent Garden appearances in 1905–1906, when the now mature performer established himself as a darling of Edwardian-era high society due to his dashing vocalism and polished off-stage demeanour. Unlike his initial London experience, when Battistini made his debut at the important Teatro San Carlo in Naples in 1886, he scored an immediate triumph. Two years later, he once more sailed to Buenos Aires to fulfil a series of singing engagements; but this proved to be his last trans-Atlantic excursion... He avoided North America, too, despite receiving overtures from the management of the New York Metropolitan Opera, where Battistini's core repertoire was allocated in his absence to the Italian baritones Mario Ancona, Giuseppe Campanari, Antonio Scotti and, after 1908, Pasquale Amato... 1888... proved to be the year of his début at Italy's foremost opera house—La Scala, Milan. La Scala's audiences acclaimed him and he was re-engaged for the next season. From 1892 onwards, Battistini established himself as an immense favourite with audiences at Russia's two imperial theatres in Saint Petersburg and Moscow: the Mariinsky and the Bolshoi respectively. He returned to Russia regularly, appearing there for 23 seasons in total, and touring extensively elsewhere in eastern Europe, using Warsaw as his stepping-stone. He would journey to Warsaw, Saint Petersburg, Moscow and Odessa like a prince, travelling in his own private rail coach with a retinue of servants and innumerable trunks containing a vast stage wardrobe renowned for its elegance and lavishness... The industrious Battistini also appeared with some regularity in Milan, Lisbon, Barcelona, Madrid, Berlin, Vienna, Prague, Budapest and Paris (where he sang for the first time in 1907). But his many social connections in Russia, and the favour that he enjoyed with the imperial family and the nobility, ensured that Russia—more than perhaps even Italy—became his artistic home prior to the outbreak of the First World War, in 1914... [His]career after the war's conclusion in 1918 was confined to Western Europe. Incidentally, Battistini's choice of bride had befitted his esteemed social status in Tsarist Russia and the West: he married a Spanish noblewoman, Doña Dolores de Figueroa y Solís, who was the offspring of a marquis and a cousin of Cardinal Rafael Merry del Val. Battistini formed his own company of singers following the 1914–1918 war. He toured with them and appeared frequently in concerts and recitals. He sang in England for the final time in 1924, and gave his last concert performance one year before his death. His voice was reportedly still steady, responsive and in good overall condition. His last singing engagement occurred in Graz, Austria, on 17 October 1927. He withdrew to his estate at Collebaccaro di Contigliano, Rieti, dying there from heart failure on 7 November 1928. Battistini also taught voice in later years... I transferred this side from HMV 052313.