Green Dolphin Street (Eb) [No Piano] - Medium Up Swing || BACKING TRACK скачать в хорошем качестве

Green Dolphin Street (Eb) [No Piano] - Medium Up Swing || BACKING TRACK

Head In, Tag, Solo x6, Tag, Head Out, Tag Ending Medium Up Swing 165 BPM Download a free chord chart for this tune here: https://www.jazzguitarcomprehensive.c... Check out my page for hundreds more of the best Play-Alongs and Loops in the world! Join me on Patreon for Backing Tracks and Lead Sheets each week, as well as much more: ►   / jazzguitarcomprehensive   Some notes about the composition as found on https://www.jazzguitarcomprehensive.com/ Composer: Bronislaw Kaper Lyricist: Ned Washington Year: 1947 Origin: From the 1947 MGM film On Green Dolphin Street. Style: Typically played either straight or swung, or a combination of the two. Form: A-B1-A-B2 (32 Bars) [8-8-8-8] It is very common to use the tonic as a pedal for the A sections. It is also common to change feels from straight in the A sections to swing in the B sections. Finally, it is also very common to tag the final III-VI-II-V as a send-off before each soloist begins their solo, and also as an ending of a performance. Key: Most commonly in Eb Major and C Major. Harmony/Overview: The harmony in the A sections along with the pedal offers much contrast to in regard to other leading standards of its day. Otherwise the tune is rather conventional, made up predominantly of II - V - I's and only modulating through a few different key centers total. The A sections begin with IMaj7 - bIIIMaj7 - IIMaj7 - bIIMaj7, and the bass player typically uses the tonic as a pedal. The B section is begins with a II - V - I and continues with a II - V of bIIIMaj7 before returning back to the A theme. The final C section begins on IImi7 before a minor II - V resolves to the relative minor, and a II - V of III then leads to the tag of IIImi7 - VI7# 9 - IImi7 - III7 that ends the form. Recordings: This tune has been recorded over 460 times to date. The first recording comes from Jimmy Dorsey and his Orchestra in 1947. Not many jazz musicians were recording this tune until Miles Davis did in 1958 alongside the impeccable line up of Bill Evans, John Coltrane, Cannonball Adderley, Paul Chambers and Jimmy Cobb. It has since become a mainstay in the jazz repertoire and continues to be performed frequently to this day, especially as a jam session number. JGC Top Picks: Miles Davis Quintet, All of You: The Last Tour, 1960 Miles Davis, At Plugged Nickel, Chicago (Live), 1965 Joe Henderson & Wynton Kelly, Four!, 1968 Please consider supporting this channel through a donation, https://www.paypal.com/paypalme/jazzg... Be sure to subscribe to my main channel:    / @jazzguitarcomprehensive   As well as JGC History to trace the lineage of some of the most important compositions in jazz:    / @jgchistory   The World's Premier Site for Jazz Guitar Education and Beyond https://www.jazzguitarcomprehensive.com/ #GreenDolphinStreet #JazzBackingTracks #Swing