Marie Jaëll - Feuillet d'album скачать в хорошем качестве

Marie Jaëll - Feuillet d'album

Marie (Trautmann) Jaëll (1846 – 1925) was a French pianist, composer, and pedagogue. She dedicated her cello concerto to Jules Delsart and was the first pianist to perform all the piano sonatas of Beethoven in Paris. She did scientific studies of hand techniques in piano playing and attempted to replace traditional drilling with systematic piano methods. Her students included Albert Schweitzer, who studied with her while also studying organ with Charles-Marie Widor in 1898-99. She died in Paris. She studied under Moscheles. Her performances were recognized by the public and local newspapers; the Revue et gazette musicale printed a review on July 27, 1862 that reads: "She marked it [the piece] with the seal of her individual nature. Her higher mechanism, her beautiful style, her play deliciously moderate, with an irreproachable purity, an exquisite taste, a lofty elegance, constantly filled the audience with wonder." On August 9, 1866, at twenty years of age, Marie married the Austrian concert pianist, Alfred Jaëll. As a pianist, Marie specialized in the music of Schumann, Liszt, and Beethoven. This piece here is dedicated to her husband indeed. With the death of her husband in 1881, Marie had the opportunity to study with Liszt in Weimar, and with Camille Saint-Saëns and César Franck in Paris. She also had composition lessons with César Franck and Camille Saint-Saëns, who dedicated his Piano Concerto No. 1 and the "Étude en forme de valse" to her. Saint-Saëns thought highly enough of Marie to introduce her to the Society of Music Composers—a great honor for women in those days. The American Record Guide lists Marie's compositional approach as "romantic in style, with more flavor of the salon than the concert hall." After struggling with tendonitis, Jaëll began to study neuroscience. The strain on her playing and performing led her to research physiology. Jaëll studied a wide variety of subjects pertaining to the functioning of the body,and also ventured into psychology: "She wanted to combine the emotional and spiritual act of creating beautiful music with the physiological aspects of tactile, additive, and visual sensory.