У нас вы можете посмотреть бесплатно THE GODFATHER’S Hidden Code (Nobody Explains This) или скачать в максимальном доступном качестве, видео которое было загружено на ютуб. Для загрузки выберите вариант из формы ниже:
Если кнопки скачивания не
загрузились
НАЖМИТЕ ЗДЕСЬ или обновите страницу
Если возникают проблемы со скачиванием видео, пожалуйста напишите в поддержку по адресу внизу
страницы.
Спасибо за использование сервиса ClipSaver.ru
Cinema changed in 1972. Not through spectacle. Through restraint. Francis Ford Coppola’s The Godfather did not just tell a crime story. It taught filmmakers a new language. Silence became tension. Darkness became meaning. Power became quiet. In this video, I break down the exact craft choices that rewired modern cinema: – Why the opening scene rewrites the rules of screen presence – How Gordon Willis used shadow as storytelling – How Coppola trusted the viewer to read implication – Why Al Pacino’s Michael Corleone is one of the most convincing transformations ever filmed – How The Godfather became the template for prestige film and television that followed This is not nostalgia. This is the blueprint. ⸻ Sources: Coppola, Francis Ford, director. The Godfather. Paramount Pictures, 1972. Coppola, Francis Ford, director. The Godfather Part II. Paramount Pictures, 1974. Willis, Gordon. Interview by American Society of Cinematographers. “Shooting The Godfather.” ASC Magazine, American Cinematographer, 1972. Pacino, Al. Sonny Boy: A Memoir. Penguin Press, 2024. Blake, Richard A. The Godfather: The Film and Its Critics. Lexington Books, 2002. Puzo, Mario. The Godfather. G. P. Putnam’s Sons, 1969. Bordwell, David, and Kristin Thompson. Film Art: An Introduction. 12th ed., McGraw-Hill Education, 2019. Truffaut, François. Hitchcock. Revised ed., Simon & Schuster, 1985. Sontag, Susan. Against Interpretation and Other Essays. Farrar, Straus and Giroux, 1966. ⸻ #TheGodfather #FrancisFordCoppola #AlPacino #MarlonBrando #GordonWillis #CinemaAnalysis #FilmEssay #FilmTheory #MovieBreakdown #CinematicHistory #ClassicCinema #AuteurCinema #PrestigeFilm #FilmStructure #antisocialmedia #antisocialmediafilms