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This week I had to opportunity to head out into the snow with the BMPCC 4K, Rokinon 24mm, and Metabones Speedbooster to test out some 2.6K 120p slow motion. It was quite cold so I only was able to pop off a few shots before heading back inside, but I decided to break down what I discovered compared to some 1080p HD 120p I'd shot a year ago during another snowstorm to see how the footage compared. Current Gear Setup: Cameras: Sony FX3: https://amzn.to/3HzKlBg Sony A6600: https://amzn.to/3HymdyC Sony A7iii: https://amzn.to/3LcZkmN Lenses: Tamron 17-28: https://amzn.to/3grOf34 Tamron 28-75: https://amzn.to/3Jnt0Mr Tamron 70-180: https://amzn.to/3goOJqC Rokinon Cine DSX 24mm: https://amzn.to/34EEwUw Rokinon Cine DSX 35mm: https://amzn.to/3gxQa61 Rokinon Cine DSX 50mm: https://amzn.to/3snEGHM Rokinon Cine DSX 85mm: https://amzn.to/3gtClFM Helios 44-2 : https://amzn.to/3ouvSyR Lighting: Neewer 660 LED Panel: https://amzn.to/3otHqlR Neewer 160 LED Panel: https://amzn.to/34foWin Amaran 200d: https://amzn.to/3LbNBF4 Audio: Rode Wireless Go ii: https://amzn.to/3LoaPbc Zoom H4n Pro: https://amzn.to/3uuhaMf AT 875R: https://amzn.to/3rwi0WA AT 897: https://amzn.to/3GzFZbQ XLR Cable: https://amzn.to/34zvecf Accessories: Atmosphere Aerosol: https://amzn.to/34HGRhy Atmos Shinobi Monitor: https://amzn.to/35LXCbH Tripods: Magnus VT-350: https://amzn.to/34Bycx4 Old Gear Setup: Cameras: Panasonic GH5: https://amzn.to/3rtkSUc Panasonic GH3:https://amzn.to/3otHi5R Blackmagic Pocket Cinema Camera 4K: https://amzn.to/3rtKqR4 Lenses: Panasonic Leica 25mm f1.4: https://amzn.to/3rtZbU7 Panasonic Lumix 35-100 f2.8: https://amzn.to/34lBLaD Voigtlander 42.5: https://amzn.to/35UlgD5 Sigma 18-35mm: https://amzn.to/3goXxgj Metabones Ultra: https://amzn.to/3ovDzVt Accessories; Samsung T5 Drive (Recording Media): https://amzn.to/3LaCOuJ *Some of the links in my video descriptions are affiliate links, which means at no extra cost to you, I will make a small commission if you click them and make a qualifying purchase.* NOTE: It was brought to my attention in the comments that ProRes at 120p also crops in on the sensor. In the video I make a statement about ProRes under the assumption it did not crop in (having not tested it). I also break down the actual size difference between 1080p, 2.6k, and 4k visually so you can get an idea of how much more information you're getting with 2.6k than 1080p - and how much you lose compared to 4k. Uploaded in UHD 4k so you can get all the detail and compare the footage. Please consider subscribing and liking the video if you found it interesting. Also leave a comment for what kind of tests or shoots you'd be interested in seeing in the future!