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This is the second of two videos dedicated to an in-depth exploration of Maria Callas' remarkable vocal range. In this installment, we’ll focus on her extraordinary head voice, from the ethereal pianissimi to thrilling and powerful high notes. Like the first video, this analysis is comprehensive, drawing on over 300 hours of available recordings to meticulously document her artistry. Enjoy! And once again, happy birthday, Maria! Timestamps: 0:00 - D♯5 / E♭5 1:46 - E5 6:43 - F5 14:56 - F♯5 / G♭5 23:17 - G5 40:55 - G♯5 / A♭5 1:00:10 - A5 1:31:44 - A♯5 / B♭5 2:19:36 - B5 2:47:16 - C6 3:26:54 - C♯6 / D♭6 3:39:13 - D6 3:49:06 - D♯6 / E♭6 4:05:01 - E6 Repertoire: d'Albert: Tiefland - Marta (1944-1945 - 11 performances) Beethoven: Fidelio - Leonore (1944 - 11 performances) Bellini: Norma - Norma (1948-1958, 1960, 1964 - 92 performances; and 2 studio recordings) Bellini: Il pirata - Imogene (1958-1959 - 7 performances) Bellini: I puritani - Elvira (1949, 1951-1952, 1955 - 16 performances; and studio recording) Bellini: La sonnambula (1955, 1957 - 22 performances; and studio recording) Boito: Mefistofele - Margherita (1954 - 3 performances) Cherubini: Medea - Medea (1953-1955, 1958-1959, 1961 - 31 performances; and studio recording) Donizetti: Anna Bolena - Anna Bolena (1957-1958 - 12 performances) Donizetti: Lucia di Lammermoor - Lucia (1952-1959 - 46 performances; and 2 studio recordings) Donizetti: Poliuto - Paolina (1960 - 5 performances) Giordano: Andrea Chénier - Maddalena (1955 - 6 performances) Giordano: Fedora - Fedora (1956 - 6 performances) Gluck: Alceste - Alceste (1954 - 4 performances) Gluck: Ifigenia in Tauride - Ifigenia (1957 - 4 performances) Haydn: L'anima del filosofo, ossia Orfeo ed Euridice - Euridice (1951 - 2 performances; world premiere) Kalomiris: O Protomastoras - Smaragda (1944; 2 performances) Kalomiris: O Protomastoras - one of the seven soloists (1943; between 9 and 12 performances) Leoncavallo: I pagliacci (1954 studio recording) Mascagni: Cavalleria rusticana - Santuzza (1939, 1944 - 3 performances; and studio recording) Millöcker: Der Bettelstudent - Laura (1945 - 7 performances) Mozart: Il ratto dal Serraglio - Constanza (1952 - 4 performances) Ponchielli: La Gioconda - Gioconda (1947, 1952 - 13 performances; and 2 studio recordings) Puccini: La bohème - Mimi (1956 studio recording) Puccini: Madama Butterfly - Cio-Cio San (1955 - 3 performances; and studio recording) Puccini: Manon Lescaut - Manon Lescaut (1957 studio recording) Puccini: Suor Angelica - Sister Angelica (1940 - 1 performance) Puccini: Tosca - Floria Tosca (1942-1943, 1950-1952, 1954, 1956, 1958, 1964-1965 - 55 performances; and 2 studio recordings) Puccini: Turandot - Turandot (1948 - 25 performances; and studio recording) Rossini: Armida - Armida (1952 - 3 performances) Rossini: Il barbiere di Siviglia (1956 - 5 performances; and studio recording) Rossini: Il turco in Italia (1950, 1955 - 9 performances; and studio recording) Spontini: La vestale (1954 - 5 performances) Stradella: San Giovanni Battista - Erodiade (1949 - 1 performance) Suppé: Boccaccio - Beatrice (1941 - between 12 and 16 performances) Verdi: Aida - Aida (1948-1951, 1953 - 34 performances; and studio recording) Verdi: Un ballo in maschera - Amelia (1957 - 5 performances; and studio recording) Verdi: Don Carlo - Elisabetta (1954 - 5 performances) Verdi: La forza del destino - Leonora (1948, 1954 - 6 performances; and studio recording) Verdi: Macbeth - Lady Macbeth (1952 - 5 performances) Verdi: Nabucco - Abigaille (1949 - 3 performances) Verdi: Rigoletto - Gilda (1952 - 2 performances; and studio recording) Verdi: La traviata - Violetta (1951-1956, 1958 - 63 performances; and studio recording) Verdi: Il trovatore - Leonora (1950-1951, 1953, 1955 - 19 performances; and studio recording) Verdi: I vespri siciliani - Elena (1951 - 11 performances) Wagner: Parsifal - Kundry (1949-1950 - 6 performances) Wagner: La Valchiria - Brunhilde (1949 - 6 performances) Wagner: Tristano e Isotta (1947-1948, 1950 - 12 performances)