Albinoni - Adagio in G Minor - music score / music sheet / partitura скачать в хорошем качестве

Albinoni - Adagio in G Minor - music score / music sheet / partitura

When I heard for the first time this version, (the source in youtube https://www.youtube.com/watch?v=XMbvc...) I felt in love, the owner of the post did not say which is the orchestra/Chamber and who is the director, in the case that it has. 00:08    • Albinoni  #Adagio in G minor  #Phones cond...   https://www.linkedin.com/feed/update/... This recording is made in a studio with sound panoramic techniques, and this demonstrates that sometimes studio is much better in terms of musicality than direct, because you can work every and each detail, of course that we have much better microphones than 50 years ago that can capture even the sound of the nail falling to the floor and the reverb of the room. you need maybe 1000 direct to get something similar like that or you can make it at once in a studio. But always will exist the controversial between the defenders of concert on live and studio and in my opinion both have their advantage and disadvantages, and that is the good of everything, that always there is more than one way to do the things. In the case that the recording has been performed without conductor, it means that sometimes the music sounds better without conductors. In my opinion, there is a big mystery around the score, about who found it and what he could done... "The Adagio in G minor for violin, strings and organ continuo, is a neo-Baroque composition popularly attributed to the 18th century Venetian master Tomaso Albinoni, but in fact composed almost entirely by the 20th century musicologist and Albinoni biographer Remo Giazotto". Piece actually composed by Remo Giazotto based on Tomaso Albinoni's work. Very suspicious in my opinion... similar history we have with the biographer of Beethoven Anton Schindler, "Ta ta ta, lieber Mälzel..." vierstimmiger Kanon WoO 162 Remo Giazotto Could use the material found by himself, say that only found a part and write the original as him own creation, maybe with minimal changes. In that case He would be one of the biggest thief of the history of the music. And because you can not get the score easy even the creator is Albinoni, I decided to write this version that is the best that I have heard, seems to be recorded in a studio, making some changes in some bars that goes better to 4, or changing the instrumentation of some passages. Remind one of the strategies of Stravinsky, who was copying himself his own compositions but with slight differences, advice was given by the lawyers to avoid the Russian government lows in this time about the property. and is because we have two version of Stravinsky famous works. the intention was to change slightly the score and register in USA, so he could earn money from the intellectual properties.