𝐿𝑦𝑠 𝐺𝑎𝑢𝑡𝑦 - 𝐿𝑒 𝑐ℎ𝑎𝑙𝑎𝑛𝑑 𝑞𝑢𝑖 𝑝𝑎𝑠𝑒 – 𝐹𝑟𝑎𝑛𝑐𝑖𝑎 - 1933 скачать в хорошем качестве

𝐿𝑦𝑠 𝐺𝑎𝑢𝑡𝑦 - 𝐿𝑒 𝑐ℎ𝑎𝑙𝑎𝑛𝑑 𝑞𝑢𝑖 𝑝𝑎𝑠𝑒 – 𝐹𝑟𝑎𝑛𝑐𝑖𝑎 - 1933

𝐿𝑦𝑠 𝐺𝑎𝑢𝑡𝑦 𝐿𝑒 𝑐ℎ𝑎𝑙𝑎𝑛𝑑 𝑞𝑢𝑖 𝑝𝑎𝑠𝑠𝑒 𝐿𝑒𝑡𝑟𝑎 𝑑𝑒 𝐴𝑛𝑑𝑟𝑒́ 𝑑𝑒 𝐵𝑎𝑑𝑒𝑡 𝑦 𝑚𝑢́𝑠𝑖𝑐𝑎 𝑝𝑜𝑟 𝐶𝐴 𝑏𝑖𝑥𝑖𝑜 𝐶𝑜𝑙𝑢𝑚𝑏𝑖𝑎 – 𝐷𝐹 1102 𝐹𝑟𝑎𝑛𝑐𝑖𝑎 1933 𝑆𝑜𝑏𝑟𝑒 𝐿𝑦𝑠 𝐺𝑎𝑢𝑡𝑦: 𝑆𝑢 𝑛𝑜𝑚𝑏𝑟𝑒 𝑟𝑒𝑎𝑙 𝑒𝑟𝑎 𝐴𝑙𝑖𝑐𝑒 𝐺𝑎𝑢𝑡𝑖𝑒𝑟 𝑦 𝑛𝑎𝑐𝑖𝑜́ 𝑒𝑙 18 𝑑𝑒 𝑓𝑒𝑏𝑟𝑒𝑟𝑜 𝑑𝑒 1900, 𝐿𝑒𝑣𝑎𝑙𝑙𝑜𝑖𝑠-𝑃𝑒𝑟𝑟𝑒𝑡, 𝐹𝑟𝑎𝑛𝑐𝑖𝑎 𝑦 𝑓𝑎𝑙𝑙𝑒𝑐𝑖𝑒𝑛𝑑𝑜 𝑒𝑙 2 𝑑𝑒 𝑒𝑛𝑒𝑟𝑜 𝑑𝑒 1994, 𝑀𝑜𝑛𝑡𝑒 𝐶𝑎𝑟𝑙𝑜 (𝑀𝑜́𝑛𝑎𝑐𝑜). 𝐹𝑢𝑒 𝑢𝑛𝑎 𝑑𝑒 𝑙𝑎𝑠 𝑔𝑟𝑎𝑛𝑑𝑒𝑠 𝑐𝑎𝑛𝑡𝑎𝑛𝑡𝑒𝑠 𝑑𝑒 𝑙𝑎 𝑐ℎ𝑎𝑛𝑠𝑜𝑛 𝑓𝑟𝑎𝑛𝑐𝑒𝑠𝑎 𝑑𝑒 𝑒𝑛𝑡𝑟𝑒𝑔𝑢𝑒𝑟𝑟𝑎𝑠, 𝑐𝑜𝑛𝑡𝑒𝑚𝑝𝑜𝑟𝑎́𝑛𝑒𝑎 𝑑𝑒 𝑎𝑟𝑡𝑖𝑠𝑡𝑎𝑠 𝑐𝑜𝑚𝑜 𝐸́𝑑𝑖𝑡ℎ 𝑃𝑖𝑎𝑓, 𝑀𝑎𝑟𝑖𝑒 𝐷𝑢𝑏𝑎𝑠 𝑦 𝐹𝑟𝑒́ℎ𝑒𝑙. 𝐷𝑒𝑠𝑑𝑒 𝑗𝑜𝑣𝑒𝑛 𝑒𝑠𝑡𝑢𝑑𝑖𝑜́ 𝑐𝑎𝑛𝑡𝑜 𝑙𝑖́𝑟𝑖𝑐𝑜, 𝑝𝑒𝑟𝑜 𝑝𝑟𝑜𝑛𝑡𝑜 𝑠𝑒 𝑖𝑛𝑐𝑙𝑖𝑛𝑜́ ℎ𝑎𝑐𝑖𝑎 𝑙𝑎 𝑐𝑎𝑛𝑐𝑖𝑜́𝑛 𝑝𝑜𝑝𝑢𝑙𝑎𝑟 𝑦 𝑒𝑙 𝑐𝑎𝑏𝑎𝑟𝑒𝑡. 𝑆𝑢 𝑐𝑎𝑟𝑟𝑒𝑟𝑎 𝑑𝑒𝑠𝑝𝑒𝑔𝑜́ 𝑒𝑛 𝑙𝑜𝑠 𝑎𝑛̃𝑜𝑠 1920–30, 𝑎𝑐𝑡𝑢𝑎𝑛𝑑𝑜 𝑒𝑛 𝑒𝑠𝑐𝑒𝑛𝑎𝑟𝑖𝑜𝑠 𝑝𝑎𝑟𝑖𝑠𝑖𝑛𝑜𝑠 𝑝𝑟𝑒𝑠𝑡𝑖𝑔𝑖𝑜𝑠𝑜𝑠 𝑐𝑜𝑚𝑜 𝑒𝑙 𝐶𝑎𝑠𝑖𝑛𝑜 𝑑𝑒 𝑃𝑎𝑟𝑖𝑠 𝑦 𝑒𝑙 𝐶𝑜𝑛𝑐𝑒𝑟𝑡 𝑀𝑎𝑦𝑜𝑙. 𝑆𝑒 𝑑𝑒𝑠𝑡𝑎𝑐𝑜́ 𝑝𝑜𝑟 𝑠𝑢 𝑣𝑜𝑧 𝑖𝑛𝑡𝑒𝑛𝑠𝑎 𝑦 𝑑𝑟𝑎𝑚𝑎́𝑡𝑖𝑐𝑎, 𝑐𝑜𝑛 𝑢𝑛 𝑟𝑒𝑝𝑒𝑟𝑡𝑜𝑟𝑖𝑜 𝑞𝑢𝑒 𝑎𝑏𝑎𝑟𝑐𝑎𝑏𝑎 𝑡𝑎𝑛𝑡𝑜 𝑙𝑜 𝑟𝑜𝑚𝑎́𝑛𝑡𝑖𝑐𝑜 𝑐𝑜𝑚𝑜 𝑙𝑜 𝑠𝑜𝑐𝑖𝑎𝑙 𝑦 𝑝𝑜𝑙𝑖́𝑡𝑖𝑐𝑜. 𝑃𝑜𝑝𝑢𝑙𝑎𝑟𝑖𝑧𝑜́ 𝑐𝑎𝑛𝑐𝑖𝑜𝑛𝑒𝑠 𝑑𝑒 𝑐𝑜𝑚𝑝𝑜𝑠𝑖𝑡𝑜𝑟𝑒𝑠 𝑐𝑜𝑚𝑜 𝐾𝑢𝑟𝑡 𝑊𝑒𝑖𝑙𝑙, 𝐽𝑒𝑎𝑛 𝑇𝑟𝑎𝑛𝑐ℎ𝑎𝑛𝑡 𝑦 𝑀𝑎𝑟𝑔𝑢𝑒𝑟𝑖𝑡𝑒 𝑀𝑜𝑛𝑛𝑜𝑡. 𝐸𝑛𝑡𝑟𝑒 𝑠𝑢𝑠 𝑐𝑎𝑛𝑐𝑖𝑜𝑛𝑒𝑠 𝑚𝑎́𝑠 𝑐𝑜𝑛𝑜𝑐𝑖𝑑𝑎𝑠 𝑒𝑠𝑡𝑎́𝑛: -𝐿𝑒 𝐶ℎ𝑎𝑙𝑎𝑛𝑑 𝑞𝑢𝑖 𝑝𝑎𝑠𝑠𝑒 (1933), 𝑣𝑒𝑟𝑠𝑖𝑜́𝑛 𝑓𝑟𝑎𝑛𝑐𝑒𝑠𝑎 𝑑𝑒 𝑢𝑛𝑎 𝑐𝑎𝑛𝑐𝑖𝑜́𝑛 𝑖𝑡𝑎𝑙𝑖𝑎𝑛𝑎 𝑞𝑢𝑒 𝑠𝑒 𝑐𝑜𝑛𝑣𝑖𝑟𝑡𝑖𝑜́ 𝑒𝑛 𝑢𝑛 𝑔𝑟𝑎𝑛 𝑒́𝑥𝑖𝑡𝑜. -𝐿𝑒 𝐹𝑎𝑛𝑖𝑜𝑛 𝑑𝑒 𝑙𝑎 𝐿𝑒́𝑔𝑖𝑜𝑛 (1936), 𝑢𝑛 𝑡𝑒𝑚𝑎 𝑝𝑎𝑡𝑟𝑖𝑜́𝑡𝑖𝑐𝑜. -𝐿𝑎 𝐶𝑜𝑚𝑝𝑙𝑎𝑖𝑛𝑡𝑒 𝑑𝑒 𝑙𝑎 𝑆𝑒𝑖𝑛𝑒. 𝐹𝑢𝑒 𝑢𝑛𝑎 𝑑𝑒 𝑙𝑎𝑠 𝑝𝑟𝑖𝑚𝑒𝑟𝑎𝑠 𝑒𝑛 𝑖𝑛𝑡𝑟𝑜𝑑𝑢𝑐𝑖𝑟 𝑒𝑛 𝐹𝑟𝑎𝑛𝑐𝑖𝑎 𝑐𝑎𝑛𝑐𝑖𝑜𝑛𝑒𝑠 𝑑𝑒 𝐾𝑢𝑟𝑡 𝑊𝑒𝑖𝑙𝑙 𝑦 𝐵𝑒𝑟𝑡𝑜𝑙𝑡 𝐵𝑟𝑒𝑐ℎ𝑡, 𝑙𝑙𝑒𝑣𝑎𝑛𝑑𝑜 𝑢𝑛 𝑡𝑜𝑛𝑜 𝑚𝑎́𝑠 𝑐𝑜𝑚𝑝𝑟𝑜𝑚𝑒𝑡𝑖𝑑𝑜 𝑦 𝑠𝑜𝑚𝑏𝑟𝑖́𝑜 𝑎 𝑙𝑎 𝑐ℎ𝑎𝑛𝑠𝑜𝑛. 𝐷𝑢𝑟𝑎𝑛𝑡𝑒 𝑙𝑎 𝑆𝑒𝑔𝑢𝑛𝑑𝑎 𝐺𝑢𝑒𝑟𝑟𝑎 𝑀𝑢𝑛𝑑𝑖𝑎𝑙, 𝑠𝑢 𝑐𝑎𝑟𝑟𝑒𝑟𝑎 𝑒𝑠𝑡𝑢𝑣𝑜 𝑚𝑎𝑟𝑐𝑎𝑑𝑎 𝑝𝑜𝑟 𝑙𝑎 𝑜𝑐𝑢𝑝𝑎𝑐𝑖𝑜́𝑛 𝑎𝑙𝑒𝑚𝑎𝑛𝑎, 𝑐𝑜𝑛𝑡𝑖𝑛𝑢𝑜́ 𝑎𝑐𝑡𝑢𝑎𝑛𝑑𝑜, 𝑙𝑜 𝑞𝑢𝑒 𝑙𝑒 𝑡𝑟𝑎𝑗𝑜 𝑎𝑐𝑢𝑠𝑎𝑐𝑖𝑜𝑛𝑒𝑠 𝑑𝑒 𝑐𝑜𝑙𝑎𝑏𝑜𝑟𝑎𝑐𝑖𝑜𝑛𝑖𝑠𝑚𝑜 𝑡𝑟𝑎𝑠 𝑙𝑎 𝐿𝑖𝑏𝑒𝑟𝑎𝑐𝑖𝑜́𝑛. 𝐸𝑠𝑡𝑜 𝑑𝑎𝑛̃𝑜́ 𝑠𝑒𝑟𝑖𝑎𝑚𝑒𝑛𝑡𝑒 𝑠𝑢 𝑟𝑒𝑝𝑢𝑡𝑎𝑐𝑖𝑜́𝑛 𝑒𝑛 𝐹𝑟𝑎𝑛𝑐𝑖𝑎 𝑦 𝑎 𝑝𝑎𝑟𝑡𝑖𝑟 𝑑𝑒 𝑙𝑎 𝑑𝑒́𝑐𝑎𝑑𝑎 𝑑𝑒 𝑙𝑜𝑠 50, 𝑠𝑒 𝑟𝑒𝑡𝑖𝑟𝑎𝑟𝑎 𝑝𝑟𝑜𝑔𝑟𝑒𝑠𝑖𝑣𝑎𝑚𝑒𝑛𝑡𝑒 𝑑𝑒 𝑙𝑎 𝑣𝑖𝑑𝑎 𝑎𝑟𝑡𝑖́𝑠𝑡𝑖𝑐𝑎, 𝑠𝑒 𝑖𝑛𝑠𝑡𝑎𝑙𝑜́ 𝑒𝑛 𝑀𝑜́𝑛𝑎𝑐𝑜, 𝑑𝑜𝑛𝑑𝑒 𝑣𝑖𝑣𝑖𝑜́ 𝑑𝑖𝑠𝑐𝑟𝑒𝑡𝑎𝑚𝑒𝑛𝑡𝑒 ℎ𝑎𝑠𝑡𝑎 𝑠𝑢 𝑚𝑢𝑒𝑟𝑡𝑒. 𝐴𝑢𝑛𝑞𝑢𝑒 𝑒𝑐𝑙𝑖𝑝𝑠𝑎𝑑𝑎 𝑝𝑜𝑟 𝑓𝑖𝑔𝑢𝑟𝑎𝑠 𝑝𝑜𝑠𝑡𝑒𝑟𝑖𝑜𝑟𝑒𝑠 𝑐𝑜𝑚𝑜 𝑃𝑖𝑎𝑓, 𝑠𝑢 𝑜𝑏𝑟𝑎 𝑒𝑠 𝑐𝑜𝑛𝑠𝑖𝑑𝑒𝑟𝑎𝑑𝑎 𝑓𝑢𝑛𝑑𝑎𝑚𝑒𝑛𝑡𝑎𝑙 𝑝𝑎𝑟𝑎 𝑒𝑛𝑡𝑒𝑛𝑑𝑒𝑟 𝑙𝑎 𝑒𝑣𝑜𝑙𝑢𝑐𝑖𝑜́𝑛 𝑑𝑒 𝑙𝑎 𝑐ℎ𝑎𝑛𝑠𝑜𝑛 𝑟𝑒𝑎𝑙𝑖𝑠𝑡𝑎 𝑦 𝑒𝑙 𝑣𝑖́𝑛𝑐𝑢𝑙𝑜 𝑒𝑛𝑡𝑟𝑒 𝑚𝑢́𝑠𝑖𝑐𝑎 𝑝𝑜𝑝𝑢𝑙𝑎𝑟 𝑦 𝑐𝑜𝑚𝑝𝑟𝑜𝑚𝑖𝑠𝑜 𝑠𝑜𝑐𝑖𝑎𝑙. 𝑆𝑢 𝑡𝑟𝑎𝑦𝑒𝑐𝑡𝑜𝑟𝑖𝑎 𝑟𝑒𝑓𝑙𝑒𝑗𝑎 𝑒𝑙 𝑎𝑢𝑔𝑒 𝑑𝑒 𝑙𝑎 𝑐ℎ𝑎𝑛𝑠𝑜𝑛 𝑟𝑒𝑎𝑙𝑖𝑠𝑡𝑎 𝑒𝑛 𝑙𝑜𝑠 𝑎𝑛̃𝑜𝑠 30, 𝑠𝑢 𝑣𝑖́𝑛𝑐𝑢𝑙𝑜 𝑐𝑜𝑛 𝑙𝑜 𝑠𝑜𝑐𝑖𝑎𝑙 𝑦 𝑝𝑜𝑙𝑖́𝑡𝑖𝑐𝑜, 𝑦 𝑡𝑎𝑚𝑏𝑖𝑒́𝑛 𝑙𝑎𝑠 𝑑𝑖𝑓𝑖𝑐𝑢𝑙𝑡𝑎𝑑𝑒𝑠 𝑞𝑢𝑒 𝑚𝑢𝑐ℎ𝑜𝑠 𝑎𝑟𝑡𝑖𝑠𝑡𝑎𝑠 𝑒𝑛𝑓𝑟𝑒𝑛𝑡𝑎𝑟𝑜𝑛 𝑡𝑟𝑎𝑠 𝑙𝑎 𝑔𝑢𝑒𝑟𝑟𝑎. 𝐻𝑜𝑦 𝑠𝑒 𝑙𝑎 𝑟𝑒𝑐𝑢𝑒𝑟𝑑𝑎 𝑐𝑜𝑚𝑜 𝑢𝑛𝑎 𝑑𝑒 𝑙𝑎𝑠 𝑔𝑟𝑎𝑛𝑑𝑒𝑠 𝑑𝑎𝑚𝑎𝑠 𝑑𝑒 𝑙𝑎 𝑐ℎ𝑎𝑛𝑠𝑜𝑛 𝑓𝑟𝑎𝑛𝑐𝑒𝑠𝑎 𝑐𝑙𝑎́𝑠𝑖𝑐𝑎 𝑑𝑒 𝑙𝑜𝑠 𝑎𝑛̃𝑜𝑠 30. 👉-𝐸𝑙 𝑠𝑜𝑛𝑖𝑑𝑜 𝑒𝑠 𝑒𝑙 𝑜𝑟𝑖𝑔𝑖𝑛𝑎𝑙 𝑑𝑒𝑙 𝑑𝑖𝑠𝑐𝑜, 𝑠𝑖𝑚𝑝𝑙𝑒𝑚𝑒𝑛𝑡𝑒 𝑒𝑙 𝑠𝑜𝑛𝑖𝑑𝑜 𝑑𝑒 𝑠𝑢 𝑒𝑠𝑡𝑎𝑑𝑜 𝑡𝑎𝑙 𝑦 𝑐𝑜𝑚𝑜 𝑙𝑜 𝑡𝑒𝑛𝑔𝑜 𝑒𝑛 𝑚𝑖 𝑐𝑜𝑙𝑒𝑐𝑐𝑖𝑜́𝑛, 𝑠𝑖𝑛 𝑟𝑒𝑡𝑜𝑞𝑢𝑒𝑠, 𝑑𝑖𝑠𝑐𝑢𝑙𝑝𝑒𝑛 𝑝𝑜𝑟 𝑎𝑙𝑔𝑢𝑛𝑎 𝑖𝑚𝑝𝑒𝑟𝑓𝑒𝑐𝑐𝑖𝑜́𝑛 𝑒𝑛 𝑒𝑙 𝑠𝑜𝑛𝑖𝑑𝑜, 𝑛𝑜 𝑒𝑛 𝑣𝑎𝑛𝑜, 𝑒𝑙 𝑑𝑖𝑠𝑐𝑜 𝑟𝑜𝑛𝑑𝑎 𝑙𝑜𝑠 90 𝑎𝑛̃𝑜𝑠 𝑑𝑒 𝑎𝑛𝑡𝑖𝑔𝑢̈𝑒𝑑𝑎𝑑, 𝑞𝑢𝑒 𝑑𝑖𝑠𝑓𝑟𝑢𝑡𝑒𝑛 𝑦 𝑔𝑟𝑎𝑐𝑖𝑎𝑠 𝑝𝑜𝑟 𝑣𝑒𝑟 𝑦 𝑒𝑠𝑐𝑢𝑐ℎ𝑎𝑟. 𝐷𝐸𝐶𝐿𝐴𝑅𝐴𝐶𝐼𝑂́𝑁 𝐷𝐸 𝑈𝑆𝑂 𝐿𝐸𝐺𝐼́𝑇𝐼𝑀𝑂 𝑇𝑜𝑑𝑎 𝑝𝑢𝑏𝑙𝑖𝑐𝑎𝑐𝑖𝑜́𝑛 𝑒𝑛 𝑒𝑠𝑡𝑒 𝑐𝑎𝑛𝑎𝑙 𝑠𝑒 𝑎𝑗𝑢𝑠𝑡𝑎 𝑎𝑙 𝐶𝑜́𝑑𝑖𝑔𝑜 𝑑𝑒 𝑙𝑜𝑠 𝐸𝑠𝑡𝑎𝑑𝑜𝑠 𝑈𝑛𝑖𝑑𝑜𝑠: 𝐴𝑟𝑡𝑖́𝑐𝑢𝑙𝑜 107., 𝐶𝑎𝑝𝑖́𝑡𝑢𝑙𝑜 1., 𝑇𝑖́𝑡𝑢𝑙𝑜 17., 𝐿𝑒𝑦 𝑑𝑒 "𝑈𝑠𝑜 𝐽𝑢𝑠𝑡𝑜" 𝑑𝑒 1976 𝑞𝑢𝑒 𝑠𝑢𝑠𝑡𝑖𝑡𝑢𝑦𝑒 𝑎 𝑡𝑜𝑑𝑜𝑠 𝑙𝑜𝑠 𝑑𝑒𝑟𝑒𝑐ℎ𝑜𝑠 𝑑𝑒 𝑎𝑢𝑡𝑜𝑟. 𝐸𝑙 𝑚𝑎𝑡𝑒𝑟𝑖𝑎𝑙 𝑎𝑞𝑢𝑖́ 𝑒𝑥𝑝𝑢𝑒𝑠𝑡𝑜 𝑡𝑖𝑒𝑛𝑒 𝑢𝑛𝑎 𝑖𝑛𝑡𝑒𝑛𝑐𝑖𝑜́𝑛 𝑒𝑠𝑡𝑟𝑖𝑐𝑡𝑎𝑚𝑒𝑛𝑡𝑒 𝑛𝑜 𝑐𝑜𝑚𝑒𝑟𝑐𝑖𝑎𝑙, 𝑦 𝑠𝑒 𝑐𝑟𝑒𝑎 𝑐𝑜𝑛 𝑒𝑙 𝑢́𝑛𝑖𝑐𝑜 𝑝𝑟𝑜𝑝𝑜́𝑠𝑖𝑡𝑜 𝑑𝑒 𝑒𝑑𝑢𝑐𝑎𝑐𝑖𝑜́𝑛, 𝑖𝑛𝑣𝑒𝑠𝑡𝑖𝑔𝑎𝑐𝑖𝑜́𝑛, 𝑖𝑛𝑓𝑜𝑟𝑚𝑎𝑐𝑖𝑜́𝑛 𝑦 𝑐𝑜𝑚𝑒𝑛𝑡𝑎𝑟𝑖𝑜 𝑠𝑜𝑐𝑖𝑎𝑙 𝑠𝑖𝑛 𝑎́𝑛𝑖𝑚𝑜 𝑑𝑒 𝑙𝑢𝑐𝑟𝑜. 𝑇𝑜𝑑𝑎 𝑙𝑎 𝑚𝑢́𝑠𝑖𝑐𝑎 𝑒𝑠 𝑑𝑒 𝑚𝑖𝑠 𝑝𝑟𝑜𝑝𝑖𝑎𝑠 𝑔𝑟𝑎𝑏𝑎𝑐𝑖𝑜𝑛𝑒𝑠 𝑜𝑟𝑖𝑔𝑖𝑛𝑎𝑙𝑒𝑠 𝑑𝑒 78 𝑟𝑝𝑚. 𝐿𝑜𝑠 𝑑𝑒𝑟𝑒𝑐ℎ𝑜𝑠 𝑑𝑒 𝑎𝑢𝑡𝑜𝑟 𝑎 𝑞𝑢𝑖𝑒𝑛 𝑝𝑒𝑟𝑡𝑒𝑛𝑒𝑧𝑐𝑎𝑛. 𝐹𝐴𝐼𝑅 𝑈𝑆𝐸 𝑆𝑇𝐴𝑇𝐸𝑀𝐸𝑁𝑇 𝐴𝑙𝑙 𝑝𝑜𝑠𝑡𝑖𝑛𝑔𝑠 𝑜𝑛 𝑡ℎ𝑖𝑠 𝑐ℎ𝑎𝑛𝑛𝑒𝑙 𝑎𝑟𝑒 𝑖𝑛 𝑎𝑐𝑐𝑜𝑟𝑑𝑎𝑛𝑐𝑒 𝑤𝑖𝑡ℎ 𝑡ℎ𝑒 𝑈𝑛𝑖𝑡𝑒𝑑 𝑆𝑡𝑎𝑡𝑒𝑠 𝐶𝑜𝑑𝑒 𝑆𝑒𝑐𝑡𝑖𝑜𝑛 107, 𝐶ℎ𝑎𝑝𝑡𝑒𝑟 1, 𝑇𝑖𝑡𝑙𝑒 17, "𝐹𝑎𝑖𝑟 𝑈𝑠𝑒" 𝐴𝑐𝑡 𝑜𝑓 1976 𝑤ℎ𝑖𝑐ℎ 𝑠𝑢𝑝𝑒𝑟𝑠𝑒𝑑𝑒𝑠 𝑎𝑙𝑙 𝑐𝑜𝑝𝑦𝑟𝑖𝑔ℎ𝑡𝑠. 𝑇ℎ𝑒 𝑚𝑎𝑡𝑒𝑟𝑖𝑎𝑙 ℎ𝑒𝑟𝑒𝑖𝑛 𝑖𝑠 𝑠𝑡𝑟𝑖𝑐𝑡𝑙𝑦 𝑛𝑜𝑛-𝑐𝑜𝑚𝑚𝑒𝑟𝑐𝑖𝑎𝑙 𝑖𝑛 𝑖𝑛𝑡𝑒𝑛𝑡, 𝑎𝑛𝑑 𝑖𝑠 𝑐𝑟𝑒𝑎𝑡𝑒𝑑 𝑓𝑜𝑟 𝑡ℎ𝑒 𝑠𝑜𝑙𝑒 𝑝𝑢𝑟𝑝𝑜𝑠𝑒 𝑜𝑓 𝑛𝑜𝑛-𝑝𝑟𝑜𝑓𝑖𝑡 𝑒𝑑𝑢𝑐𝑎𝑡𝑖𝑜𝑛, 𝑟𝑒𝑠𝑒𝑎𝑟𝑐ℎ, 𝑖𝑛𝑓𝑜𝑟𝑚𝑎𝑡𝑖𝑜𝑛 𝑎𝑛𝑑 𝑠𝑜𝑐𝑖𝑎𝑙 𝑐𝑜𝑚𝑚𝑒𝑛𝑡𝑎𝑟𝑦. 𝐴𝑙𝑙 𝑚𝑢𝑠𝑖𝑐 𝑖𝑠 𝑓𝑟𝑜𝑚 𝑚𝑦 𝑜𝑤𝑛 𝑜𝑟𝑖𝑔𝑖𝑛𝑎𝑙 78 𝑟𝑝𝑚 𝑟𝑒𝑐𝑜𝑟𝑑𝑖𝑛𝑔𝑠. 𝐶𝑜𝑝𝑦𝑟𝑖𝑔ℎ𝑡 𝑡𝑜 𝑤ℎ𝑜𝑚 𝑡ℎ𝑒𝑦 𝑏𝑒𝑙𝑜𝑛𝑔.