Daniel Lee: Idiosyncrasies within Australian Guitar Culture скачать в хорошем качестве

Daniel Lee: Idiosyncrasies within Australian Guitar Culture

https://crosstowntraffic2018.wordpres... This presentation took place as part of the conference Crosstown Traffic: Popular Music Theory and Practice, which was hosted by The University of Huddersfield from September 3 - 5 2018. This event combined the IASPM UK&Ireland Biennial Conference, the 13th Art of Record Production Conference (ARP), an ISMMS conference, and the additional participation of Dancecult. A recurrent theme within popular music studies has been discussion of how the field can integrate different disciplines and professions, for example exploring both music and its context; involving both practitioners and researchers; and encouraging interdisciplinary and collaborative work. Many different issues make such approaches challenging, and various different popular music focused subject organisations have developed somewhat independently of one another. This conference brought four such groups together, to exchange knowledge, collaborate, and encourage crosstalk. /// SUPPORT Popular Music Studies Research Group (PMSRG), University of Huddersfield https://research.hud.ac.uk/pmsrg/# Centre for Music, Culture and Identity (CMCI), University of Huddersfield https://research.hud.ac.uk/institutes... The International Association for the Study of Popular Music UK and Ireland Branch (IASPM UK & Ireland) www.iaspm.org.uk Association for the Study of the Art of Record Production (ASARP) www.artofrecordproduction.com/ Dancecult Research Network (DRN) studies into electronic dance music culture www.dancecult-research.net International Society for Metal Music Studies (ISMMS) www.metalstudies.org/ /// ORGANIZERS IASPM UK&I: Rupert Till ARP: Katia Isakoff, Shara Rambarran ISMMS: Karl Spracklen Dancecult: Graham St. John University of Huddersfield: Jan Herbst, Austin Moore, Lisa Colton, Toby Martin, Catherine Haworth, Mark Mynett /// CREDITS This online project was edited, collated, and made available online by Chris McConnell, Jack Zissell, and Colin Frank. /// PRESENTATION DETAILS Idiosyncrasies within Australian Guitar Culture: An Historical Examination of Developments Within Popular Music. Daniel Lee - University of Tasmania /// ABSTRACT This paper discusses the findings of a qualitative study, conducted in Australia, which embarked on the task of defining Australian guitar culture. This was undertaken by identifying and locating musically notate-able, quintessentially Australian guitar performance styles through an analytical look at the music of historically significant Australian artists. With a focus on popular music styles and historical developments, idiosyncratic features were identified and investigated regarding their foundation influences, development and recurring further influence on the following generations of Australian guitarists. The educational value and relevance of each feature within a contemporary guitar curriculum is discussed alongside the historical narrative and aesthetic evaluation. Findings of the study include the blending of American and British styles with Australian culture to create a vibrant local sub-genre and historical referencing of subsequent generations of musicians.