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A completion of Bach's Contrapunctus 14 from the Art of Fugue, based on very simple contrapuntal principles. Arranged for Harpsichord (midi rendition, soundfont is Clavecin Neupert, registration is II 8+4+2). Tuning is derived from Lehman's Squiggle well temperament, featuring - in an analogous fashion - five 6-th comma fifths (from F to E), three 12-th comma fifths (from C# to A#) as well as three pure fifths (from E to C#). However, in this case, the syntonic comma (21.51¢ = four 5ths - one major 3rd - two octaves) has been used instead of the pythagorean comma (23.46¢ = twelve 5ths - seven octaves). The remaining fifth has been gauged to close the 12-tone circle of fifths, and results in being slightly flat of pure (701.8¢). The cent figures of the tuning (rounded to integer values) are: 0 99 197 300 393 502 597 698 800 895 1000 1095. ⦿ More versions of The Art of Fugue, completed: • BACH - ART OF FUGUE - CONTRAPUNCTUS 14 - S... ⦿ More Bach's pieces completed: • Bach, Art of Fugue, Contrapunctus 14, Comp... ⦿ More pieces tuned into SQUIGGLE: • SQUIGGLE and NEIGHBOURHOODS #bach #completed #counterpoint #kunst #fuge #art #fugue #14 #bwv1080 #squiggle #harpsichord