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Max Clouth, Marja Burchard, Maasl Maier, Kabuki, Tony Clark: "Entelecheia" - Release date: April 26, 2024 L+R /Bellaphon Buy here: https://www.maxclouth.com/#shop As the notes of a shakuhachi flute span gentle arcs, lifting into spherical expanses, a vibraphone opens up shimmering spaces, as the sound of a guitar enters and builds momentum. ‘Aszendent’, the first track on Frankfurt’s eminent guitarist Max Clouth's new album Entelecheia sets the atmosphere for the entire work: complex chords and contrasting timbres both complement and compete with each other, while live electronics contrast with erupting guitar solos containing elements of Indian, Persian and West African music. Sometimes composed, sometimes spontaneous, Entelecheia is an album full of surprises. ‘Entelecheia’ is a term from Aristotelian philosophy that describes an individual who carries perfection as a goal within themselves. It can refer to both the inherent power of self-realisation and the completed state. The title fits the album's creative process. Clouth, who wrote five of the seven compositions, explains: "I sketched out the pieces in advance - like a notepad with musical themes that leave enough space to add something of my own. The pieces only became complete when we played together." The final form for the compositions was developed in a post-production process lasting several months, in which Clouth edited the original recordings, recombined them and added further elements. For the recordings, Max Clouth brought musicians Marja Burchard, Bodek Janke, Maasl Maier, Kabuki and Tony Clark into the studio. He says: "It's my personal dream band! What fascinated me were, on the one hand, the instrumental characteristics, but at least as much the people themselves and what results from the balance of power between these different personalities." They spent a few days in a studio in the Black Forest in autumn: not an existing band, but musicians coming together for the first time – “like a refreshing dip in the deep end.” Video by Daniel Sax