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⚠️ Transparency Notice: While the Unknown Master Recordings project presents recovered media artifacts as genuine archival finds, these works were generated, produced, or restored using AI-assisted tools. All narrative and contextual framing is creative fiction intended to enhance the listening experience. Timestamps 0:00 Parallaxis I (The Angular Dominion) 9:56 Parallaxis II (The Great Divergence) 17:43 Parallaxis III (Transit of the Glass Meridian) 21:14 Parallaxis IV (Codex of the Slanted Throne) 27:06 Parallaxis V (The Lanterns Beneath the Ice) In early 2026, during the cataloguing of a private European collection acquired from an estate clearance, the Archival Division recovered a small run of LPs credited simply to Parallaxis, titled Parallaxis. The records were packed in milk crates alongside gig ephemera and handwritten setlists. Jackets were fully printed but not shrink-wrapped, consistent with a small run that likely sold at merch tables within a local scene before vanishing into obscurity. No inserts, press sheets, or label paperwork were found. The cover art depicts an impossible tiered citadel under a burnt sky, rendered in a painterly fantasy style typical of early 1970s progressive rock sleeves. The typography is unusually elaborate for an otherwise minimal presentation, suggesting a band that leaned heavily into self-mythologizing and suite-based conceptual structure. Because physical copies were recovered, the image used for this upload is a direct tabletop photograph taken by the Archival Division, consistent with UMR documentation practices. No supplemental liner notes were found beyond the printed jacket and centre labels. Personnel Elias Ward – Hammond organ, Mellotron, Fender Rhodes, synthesizers Gareth Sloane – Electric guitar, 12-string guitar Marek Havel – Electric bass Jon Pritchard – Drums, percussion UMR Archival Notes Parallaxis appears to have operated as a studio-centred progressive rock group active in the early 1970s, oriented around long-form suite writing and organ-led arrangement. The album is structured as a five-part cycle with deliberately formal titling, each movement carrying its own subtitle while remaining bound to a single thematic identity. Parallaxis I establishes the record’s vocabulary, overdriven Hammond figures, angular guitar interplay, and tightly controlled momentum that repeatedly breaks into atmospheric interludes. Parallaxis II intensifies the pacing and harmonic density, leaning harder into odd metres and rapid sectional shifts. Parallaxis III functions as a brief instrumental transit piece, acting as a hinge between the album’s earlier propulsion and its more ceremonial second half. Parallaxis IV presents the most overtly concept framing, with choral, Mellotron-heavy passages and a more hymn-like sense of development. Parallaxis V closes the cycle with colder timbres and longer, more deliberate builds, ending on a refrain-like return that suggests the suite is part of a larger, unfinished sequence. The recording quality indicates a tape-era production with audible saturation and room bleed, particularly in the organ and drum capture. The mix favours midrange density over separation, and the dynamic swings feel intentional rather than corrected. No evidence of later remixing or modern restoration artifacts were found beyond the preservation transfer. No verified contemporary reviews have been located. No confirmed additional recordings credited to Parallaxis have surfaced. Recovered by: Unknown Master Recordings Title: Parallaxis Artist: Parallaxis Catalogue No.: UMR-PRG-071 Medium: Vinyl LP, undocumented local pressing, jacket and labels printed Reported Release Year: 1971, unverified Recovery Date: Early 2026 Condition: Multiple copies located, minor to moderate shelf wear to some jackets, audio verified from a clean transfer TRACKLIST 1. Parallaxis I (The Angular Dominion) – 9:56 2. Parallaxis II (The Great Divergence) – 7:47 3. Parallaxis III (Transit of the Glass Meridian) – 3:31 4. Parallaxis IV (Codex of the Slanted Throne) – 5:52 5. Parallaxis V (The Lanterns Beneath the Ice) – 9:22 All rights reserved. Digitally transferred and preserved by the Archival Division, 404 Facility.