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ZOOM Gallery Talk MINGEI | Art of the People: Exploring the Mingei Film Archive Recorded April 18 2024 Perhaps one of the best-known aspects of Japanese ceramics in the West remains the Mingei folk art movement and its leading proponents, Hamada Shōji and Bernard Leach. Because of their advocacy and publicly facing roles, aided greatly by the medium of film, the timeless qualities of Mingei have figured prominently in the perception of Japanese art in the West throughout the twentieth century. For this unique ZOOM Gallery Talk, filmmaker Marty Gross shares with us his extraordinary mission to restore, record, preserve, and archive the films of and about Mingei from the early twentieth century in his project, Mingei Film Archive. He will share with us rare footage of prewar Japan and of pottery production in centers such as Tamba and Mashiko. As a potter himself, Marty Gross shares with us how the Mingei Film Archive developed and how his personal journey merged his two great artistic interests to create this remarkable and irreplaceable resource for ceramics and for Japanese art lovers. PANELIST: Marty Gross, filmmaker and founder of Mingei Film Archive, based in Toronto, Canada moderated by Joan Mirviss 0:00:00 Welcome and introduction - JOAN MIRVISS 00:01:07 History of Japanese ceramics in the Mingei movement 00:12:17 Opening remarks - MARTY GROSS 00:14:02 Film of Hamada Shōji at work 00:23:19 Bernard Leach and the Mingei movement 00:27:38 Film of Bernard Leach discussing Hamada Shōji and discussion 00:33:28 Film of Mahiko and the production of ceramics and discussion 00:44:50 Process of restoration of archival footage 00:51:53 Film of Tamba and production wares and discussion 1:01:10 Film of paper production in the Mingei Movement 1:10:01 Question and Answers All footage presented by Marty Gross for this panel is copyright the Mingei Film Archive Visit Joan B Mirviss LTD website at http://www.mirviss.com Follow us on Instagram / joanbmirvissltd You can also find us on Facebook / mirviss Event recording edited by Michael Greenberger