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Meet eminent musicologist, conductor and composer Nicolas Slonimsky (1894-1995), upbeat even for his standards, at the Berkeley Piano Club on August 18, 1971! on "Nicolas Slonimsky eats dinner" ( • Nicolas Slonimsky eats dinner (1970) ) 3:09 on his CABBAGE waltz 11:04 on his work "My toy balloon" 13:40 on his tonal and atonal arrangements of children's songs 20:23 on conditioning his very young daughter Electra to associate consonance with torture and dissonance with satisfaction 22:27 on his book "Thesaurus of scales and melodic patterns" 29:40 on his efforts to perform music by Ives, Varèse and Riegger 39:05 on his composition "Studies in black and white" 49:19 on the "Großmutterakkord (grandmother chord)" 59:14 on the poetry of musical invective (forgetting to mention that the two recited poems were set to music by Henry Cowell in his "Three anti-modernist songs" from 1938) 1:11:22 on John Cage 1:21:38 on "1000 symphonies" (by Dick Higgins) 1:22:50 on Nam June Paik and his former teaching assistant at UCLA whose name he doesn't want to tell (it's Joseph Byrd, who actually is not from North Dakota, but from Kentucky) 1:24:00 on musical insanity 1:30:30 discussion: on John Cage's "4'33''" 1:41:29 on electronic music 1:42:52 on the influence of his "Thesaurus" on John Coltrane and other jazz musicians ("I would have blushed if I had enough blood to") 1:46:06 on microtonal music 1:49:39 on women composers (the Yugoslav composer he calls "Lubić" at 1:52:32 must be Ljubica Marić) 1:51:21 on his glorious audience in Yerevan 1:53:58 again on microtonal music ("The Western ear is capable of anything if it's beaten") 1:54:56 again on musical invective 1:58:40 on Arturo Toscanini 2:02:13 on Leonard Bernstein 2:04:45 broadcast by KPFA Berkeley on October 16, 1971 source: http://radiom.org