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A lot of artists want to know how to open for national touring acts — and too many are being told the wrong things. In this video, I break down how opening slots actually work, based on real touring and promotion experience. We’ll look at three common scenarios: artist-to-artist, promoter-driven, and industry-driven opportunities — including where things get political. I also explain why buying onto tours is usually a bad idea, what promoters really care about when choosing support acts, and why relationships, professionalism, and being a good hang matter more than constant pitching. If you’re an independent artist trying to open for touring acts, land better support slots, or build real momentum in your career, this video will help you focus on what actually moves the needle. 📍Website + Courses: https://www.makingitwithchrisg.com/ 💼 LinkedIn: / making-it-academy 🎧 Patreon (bonus content + workshops): / makingitacademy