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The Piano Concerto No. 3 in D minor, Op. 30, composed in 1909 by Sergei Rachmaninoff, has the reputation of being one of the most technically challenging piano concertos in the standard classical repertoire. Rachmaninoff wrote two versions of this cadenza: the chordal original, which is commonly notated as the ossia, and a second one with a lighter, toccata-like style. Both cadenzas lead into a quiet solo section where the flute, oboe, clarinet and horn restate the first theme of the exposition, accompanied by delicate arpeggios in the piano. The cadenza then ends quietly, but the piano alone continues to play a quiet development of the exposition's second theme in E♭ major before leading to the recapitulation, where the first theme is restated by the piano, with the orchestra accompanying, soon closing with a quiet, rippling coda reminiscent of the second theme.