Ridolfo Capo Ferro скачать в хорошем качестве

Ridolfo Capo Ferro

Plates from the Great Representation of the Art and Use of Fencing. Timecode 0:00 - #1 Method of Laying Hand on the Sword. 0:03 - #2 Of the Guards. Quarta "D" and Prima "A". 0:06 - #3 Of the Guards. Seconda "B" and Sesta "F". 0:09 - #4 Of the Guards. Terza "C" and Quinta "E". 0:12 - #5 Figure Explained by Way of the Alphabet. 0:15 - #6 Method of Gaining the Sword on the Inside in the Straight Line and Striking According to the Point that the Enemy Will Give. 0:18 - #7 The Present and Subsequent Figures Demonstrate Diverse Manners of Striking on the Outside, Always Presupposing a Stringering on the Inside and a Disengage of the Point by Your Adversary in Order to Strike. 0:21 - #8 Figures that Demonstrate How Much Measure is Lost by Attacking the Legs. 0:24 - #9 A Figure that Strikes in a passata while the Adversary Disengages in Order to Strike. 0:27 - #10 A Figure that Strikes in quarta Under the Right Arm to the Pectoral while the Adversary Disengages in Order to Strike. 0:30 - #11 The Manner of Striking by Diverse Actions Under the Enemy's Sword. 0:33 - #12 Figure that Parries with the Sword with Both Hands and Strikes with a Thrust to the Throat with a passata while the Adversary Disengages the Sword. 0:36 - #13 Figure that Strikes with a Scannatura by a Thrust to the Right Flank with a Passata while the Adversary Disengages to Strike. 0:39 - #14 Figure that Strikes Under the Sword of the Enemy in Contra tempo without Parrying, Only with a Lowering of the Body as the Figure Demonstrates. 0:42 - #15 The Present and Subsequent Figures Demonstrate Diverse Ways of Striking to the Inside, Always Presupposing a Stringering on the Outside and a Disengagement of the Point by Your Adversary in Order to Strike. 0:45 - #16 Double Method of Gaining the Enemy's Sword on the Inside and the Outside. 0:48 - #17 Figure that Strikes Near the Ear with a Void of the Right Foot. 0:51 - #18 Figure that Strikes the Throat in Quarta on a Passata of the Left Foot. 0:54 - #19 Figure that Strikes in Quarta with a Void of the Body, Carrying the Left Leg Crossed Behind the Right. 0:57 - #20 Figure that Strikes the Face in Seconda on a Passata while Giving a Grip to the Sword Arm of the Enemy with the Left Hand. 1:00 - #21 Figures of the Sword and Dagger which Demonstrate the Manner of Stringering the Adversary's Sword, He Being Found in a High Prima on the Inside, Noting that if the Point of the Enemy's Sword is Aimed at Your Right Shoulder then it Must Be Found on the Outside; and You Will Adopt the Same Manner in Gaining the Low Guards. 1:03 - #22 Figures that Demonstrate how with a Single Parry with the Dagger It is Possible to Strike in Three Places with a Thrust, Namely in the Face, in the Chest, or in the Thigh. 1:06 - #23 A Figure that Strikes on seconda in the Chest Between the Weapons by a Pretense, Disengaging Over the Dagger, and Also in the Same Manner Could Have Struck in quarta. 1:09 - #24 A Figure that Strikes Above the Right Arm to the Chest and Makes the Sword Fall with the Unfastening of the Sword and the Dagger. 1:12 - #25 A Figure that Parries with the Dagger High to the Inside and Strikes with a Riverso to the Thigh, and in Quarta to the Chest as the Figure Demonstrates. 1:15 - #26 A Figure that Parries with the Sword in Quarta Accompanied with the Dagger and Strikes in Quarta to the Face or with a Riverso to the Arm as the Figure Shows. 1:18 - #27 A Figure that Makes a Feint Above the Dagger, and, the Adversary Raising to Parry the Same, Strikes Him in the Chest in Quarta, Disengaging the Sword Under. 1:21 - #28 Figure that Parries Under His Right Arm with the Dagger, and Strikes in Seconda into the Face or with a Stramazzone Riverso in the Sword Arm. 1:24 - #29 Figure that Strikes Over the Dagger in Seconda into the Left Shoulder while the Adversary Seeks to Gain the Sword Against Him on the Outside. 1:27 - #30 Figure that Strikes in Seconda Over the Dagger into the Left Shoulder from a Feint, Parrying with His Dagger from Above to Below Under His Right Arm. 1:30 - #31 Figure that Strikes on a Passata with a Thrust in Falso From Beneath Upwards, Between the Weapons into the Chest, Parrying over His Right Arm with His Dagger, Pressing the Weapons Together Well. 1:33 - #32 Figure that Strikes in Quarta into the Throat Only with Falsing the Sword and Lowering the Dagger in Order to Parry while the Adversary Disengages from the Sword and Seeks to Parry with the Dagger. 1:36 - #33 Figure that Strikes in Quarta Under the Dagger into the Chest, Carrying the Right Leg Back and Parrying High with the Dagger, while the Adversary Passes Forward with His Leg in Order to Strike in Seconda over the Dagger. 1:39 - #34 1:42 - #35 1:45 - #36 1:48 - #37 1:51 - #38 1:54 - #38 1:57 - #39 2:00 - #40 2:03 - #41 2:06 - #42 2:09 - #43