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JOSÉ CURA, "Cavalleria Rusticana" -- Ravenna Festival in 1996. Live broadcast on Italian television and radio. JOSÉ CURA sang his first Turiddu in Cavalleria Rusticana in1996 For his debut at "Ravenna Festival" in Italy July 14,16,18,20 -- Teatro Comunale Alighieri in Ravenna Conducted by Riccardo Muti Directed by Liliana Cavani JOSÉ CURA WON THE PRESTIGIOUS "ABBIATI PRIZE" In 1996, JOSÉ CURA built upon his burgeoning reputation and solidified his position as one of the most promising tenors of his generation. For his debut at "Ravenna Festival" in Italy, CURA sang his first Turiddu in Mascagni's Cavalleria Rusticana. The performance was broadcast live on radio and TV. Cura's interpretation won him the prestigious Abbiati Prize. Venue: Teatro Comunale Alighieri, Ravenna, Italy Dates: 14, 16, 18, and, 20, July, 1996 Turiddu: JOSÉ CURA Santuzza: Waltraud Meier Alfio: Paolo Gavanelli Lola: Anna Maria Di Micco Lucia: Tiziana Tramonti Conducted by Riccardo Muti Directed by Liliana Cavani CURA'S "TURIDDU" WAS AN OVERWHELMING SUCCESS "CAVALLERIA" HAS NEVER FELT SO VIVID If you wanted to present the work of Mascagni in the best possible way, this occasion captured it in full and was a huge success. With confidences exchanged almost in the ear, emotions were contained and retained. And in a magnificent plot twist, Turiddu’s farewell was pronounced in mezza voce, with him stunned and terrified, unable to stand, determined to die rather than to kill. In the lyrical intensity and dramatic liveliness, ‘Cavalleria’ has never felt so vivid. José Cura draws a bold and youthful Turiddu, with a beautiful voice and wonderful presence. This was an overwhelming success, and naturally will become the performance that will remain the point of reference. --- La Repubblica: The ‘Cavalleria’ of 1996 in particular sticks in my mind for the mingled self-doubt and animal magnetism of the Turiddu, a newcomer named José Cura. --- Opera News, Coda, April 2015 This ‘Cavalleria rusticana’ represents one of the most expressive and virtuosic results we have ever seen. The towering passions, the loving momentum, but also the invincible attraction to death; the immensity of jealousy, revenge, superstitious antagonism, and yet also bordering on sweetness in the environment and religious sentiment, all this makes the erotic and murderous madness of the protagonists even more devastating. Emphasized to an almost inhuman emotional intensity, like a jolt of electricity that leaves us stunned, overwhelmed, defeated. José Cura’s Turiddu was outspoken and lively. Success was an understatement; it was raining flowers and the entire auditorium was standing --- .Corriere della Sera