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#jan #dismas #zelenka #score #sheetmusic #zwv #zwv83 The autograph score of Zelenka's first In exitu Israel setting, composed circa 1725, with a wild and chromatic Amen fugue finale. Written on the text of Psalm 113, In exitu Israel de Aegypto stresses the concertante elements by introducing the whole quartet of soloists. Formally it consists of five part, the first and the third of which are identical, both of them using the motives from the orchestral introduction for accompaniment. The choir is mostly homophonous. From bar 84 onwards Zelenka utilizes the character of the text and develops the composition of the form of a respond which is used also in the following "Gloria Patri" of folklore color forms the the fourth separate part, it's charming melody being interwoven with suspensions and chromatics. A place apart in the whole contemporary music is certainly occupied by the theme of the final choir of "Amen", whose consistent chromatization approaches some equally bold themes of Johann Sebastian Bach. It is written in the form of a double fugue. The chromatics of the theme, however, makes the composition tonally unstable to the very end. Performer & Album Info - 10:23 I: In exitu Israel - 00:00 II: Gloria Patri - 7:11 III: Amen (Fugue) - 8:07 Performer(s): In exitu Israel, ZWV 83 (After Psalm 113) · Adam Viktora, Inegal Ensemble, Prague Baroque Solists Jan Dismas Zelenka: Psalmi Vespertini I ℗ Nibiru Released on: 2015-11-26 Music Publisher: D.R Background image of 'Musicians on a terrace', Balthasar van den Bossche (1700-ca 1754) Title: "Musicians on a terrace, playing lute, cello and oboe, in a classical architectural setting" 1713 I do not own the copyright to the audio used in this video. I do not make money from this video. This channel is non-profit, not monetized, for educational purposes only. Images provided by the Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden) - non-commercial use only.