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silver through the grass like nothing (excerpt) Commissioned by & premiered at Monheim Triennale on 6 July 2025 Video produced by Monheim Triennale & edited by yuniya edi kwon yuniya edi kwon – composition, direction, violin, voice Darian Donovan Thomas – violin Joanna Mattrey – viola Tomeka Reid – cello Henry Fraser – double bass Nava Dunkelman – percussion & ritual instruments Dudù Kouate – percussion, flutes, & ritual instruments Connecting to the history of pearl relics (sari) and their keepers, as well as the true story of yuniya’s sudden, sibylline illnesses and their reverberant medical traumas, silver through the grass like nothing is an impressionistic, bardo-like meditation on sickness, grief, and the body’s incessant pull toward transformation. The performance is a convergence of diverse cultural practices, including Korean queer shamanic history, American Experimentalism, and a broader, diasporic improvisationalism reflective of the ensemble’s mosaic cultural identities. “yuniya edi kwon’s silver through the grass like nothing had its own visceral composure, mapped out by a mind-boggling visual score brought to life by a god-tier ensemble of double bass, viola, violin, cello and ritual percussion. Operating well outside the lines of familiar tuning and tonality, [yuniya] edi kwon’s own virtuoso violin and glass-shattering vocals formed the centre of a shockingly original, perfectly realised storm.” – Crack Magazine www.yuniya.net