Lillian vs. Julia vs. Polychrome | Walrus Audio Modulation Pedal Comparison | Feature Focus скачать в хорошем качестве

Lillian vs. Julia vs. Polychrome | Walrus Audio Modulation Pedal Comparison | Feature Focus

Walrus modulation pedals like Julia Chorus, Lillian Phaser and Polychrome Flanger distinguish themselves for the Blend Control. Called D-C-V on the Julia, D-P-V on the Lillian and D-F-V on the Polychrome it uses the same smart concept for all of them: blend dry signal, the effect in charge and vibrato. Chorus, Phaser, Flanger and Vibrato all belong to the same family so Walrus, after a long research, came out with this unique control to pass through these effects continuously. Therefore, when you buy one of them is like buying much more than one effect, you have an infinite palette of colors in your hands. BLEND CONTROL 75% - if you set the control at ¾ you are blending 50% chorus (or phaser or flanger depending on the pedal) with 50% vibrato. This is a real sweet spot for solos because you have the rich texture of your effect together with the subtle pitch movement of the vibrato giving even more flavor to your single notes and chords. BLEND CONTROL 25% - when you go for an arpeggio you probably don’t want it to be messy. That’s the reason why at ¼ the blend control is very useful for this purpose. You get 50% dry sound and 50% chorus (or phaser or flanger depending on the pedal). The pedal maintains a good attack on the notes and the right amount of movement from the modulation. BLEND CONTROL 50% - this is the classic setting a normal modulation pedal would normally give: 100% chorus (or phaser or flanger depending on the pedal). So, when you want your effect to be pure and very present, without any pitch modulation, put the blend control at noon and there you go, nothing easier than that!