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Masterclass Barry Jenkins

0:00 Introduction 5:37 Between your earlier work and “Moonlight” you seem to have taken a huge leap, what happened? 8:48 What was your first short film? 9:40 What was the transition from short film to feature-length film like? 12:30 What made you go to film school? 14:23 What was the first thing that you learned about film? 18:47 How did your gap year turn out for you? 21:03 Were you sure about your skills after your gap year? 26:23 Why is the book “In a Blink of an Eye” so important to you? 29:56 What was the process of editing “Moonlight” like? 31:32 What was the collaboration between you and your editors like? 33:51 Can you explain how you came about your vision for “Moonlight” with your cinematographer? 40:38 Did you make this film with the intention of it being universal? 43:14 Did your personal heterosexual identity not interfere with the homosexual perspective this film is shot from? 47:23 Q&A What was it like working with actors and non-actors? 51:33 Q&A Can you elaborate on the use of color in “Moonlight”? 55:17 Q&A Can you talk about your collaboration with Tarell Alvin McCraney and your relation to the film? 58:06 Q&A Why did you decide to film in an anamorphic format? 1:00:12 Q&A What was the budget, do you know any Dutch films and how many shots did you take? 1:02:29 Q&A How do you surround yourself with a good group to collaborate with? 1:04:46 Q&A Can you explain your choice of music in the film? 1:08:48 Q&A How do you keep intimacy, sensitivity and authenticity in your work? 1:09:48 Q&A How did you manage to get noticed with “Medicine for Melancholy”? 1:13:32 Q&A To what extent were you able to keep your voice creating “Moonlight”? 1:15:58 Closing -------------------------------------------------------------------- Thank you for watching! Subscribe so you don't miss out on any videos:    / iffrotte.  . Follow us: Instagram:   / iffr   Twitter:   / iffr   Facebook:   / iffrotterdam   Website: https://iffr.com/