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What if I told you that Kingdom of Heaven isn’t really about the Crusades at all — but about us? Ridley Scott built one of the most staggering medieval worlds ever put on film: real siege towers, real trebuchets, real walls, real fire raining down across the Moroccan night sky. Villagers miles away thought an actual war had broken out. But for the cast and crew, the moment that haunted them most wasn’t a battle. It was the day King Baldwin IV — the silver-masked king — walked onto set. The entire crew fell silent. Because for a moment, it didn’t feel like reenactment. It felt like resurrection. In this video, we’re counting down 10 Weird Facts that reveal what Ridley Scott changed, what he reinvented, what he misunderstood — and what he understood better than anyone before him. You’ll discover: Why Scott rebuilt Jerusalem as a bridge between centuries How Balian became a modern conscience inside a medieval world Why nearly every major character thinks in ways no 12th-century person ever would How Saladin became a symbolic mirror for the world today Why Sibylla’s entire arc was rewritten into tragic myth And the hidden warning Ridley Scott buried inside the fall of Jerusalem — a warning meant for the 21st century, not the 12th. Because Kingdom of Heaven isn’t just a story about the past. It’s a prophecy about the present. And the moment Baldwin IV stepped onto that set — mask gleaming, presence overwhelming — Scott’s entire message finally took shape. A dying king revealing a dying kingdom… and a modern warning hiding in ancient armor. Was Ridley Scott right to reshape history to deliver a message? Or should the film have stayed loyal to the medieval world as it truly was? Tell me in the comments — I want to hear your take. And if you want to see how myth, cinema, and archaeology collide in an even stranger way, don’t miss our breakdown of Troy (2004) with Brad Pitt. Click here to watch. Let’s keep history — and legend — alive.