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Heart Sutra Song Gone Beyond

Heart Sutra Song Gone Beyond · Laurie Anderson · Tenzin Choegyal · Jesse Paris Smith Songs from the Bardo Review on PitchFolk by Ruth Saxelby When his brother-in-law died in a refugee camp in India, Tibetan singer and musician Tenzin Choegyal joined his sister in mourning. Tibetan Buddhists believe that when someone dies, their consciousness wanders through an in-between phase called the bardo for seven weeks before transitioning to a new life. This journey can be disorienting and frightening. To help guide his brother-in-law’s consciousness toward rebirth, Buddhist monks read aloud from The Bardo Thodol, also known as The Tibetan Book of the Dead, over the course of 49 days. “The ritual performance and recital of The Bardo Thodol by the monks transformed my sister from a devastated person to someone who gained conviction in her life again,” Choegyal writes in the liner notes for Songs From the Bardo. “The whole process was as therapeutic as anything I have ever observed in my life.” Over the past 15 years, Choegyal has explored the power of The Bardo Thodol in a variety of musical projects. Songs From the Bardo is the latest manifestation and finds Choegyal in collaboration with multidisciplinary artist Laurie Anderson and composer Jesse Paris Smith. Anderson acts as the guide, reading passages from The Bardo Thodol translated into English by Choegyal. The unknowable expanse of the bardo is invoked by Choegyal and Smith through vibrations summoned from a variety of particularly resonant instruments. Resonance is the closest that sound gets to touch. Lyrics can describe a caress, but reverberation can move air and bodies in ways that viscerally recall the breath of a loved one on the nape of the neck. Throughout much of Songs From the Bardo, it is the soothing drone tones of Choegyal’s Tibetan singing bowls and Smith’s crystal bowls that hold the space. The album’s songs flow into one another with little regard for beginnings or endings, just as The Bardo Thodol describes the journey of the consciousness through death to the next life. On “Heart Sutra Song – Gone Beyond,” Choegyal’s plucking of the dranyen, a Tibetan stringed instrument, provides a grounding counterpoint to Anderson’s inquisitive violin and guest musician Rubin Kodhel’s brooding cello. Over the strings, Choegyal sings part of the Heart Sutra in Sanskrit; his natural vibrato makes for one of the most stirring moments on the album. Elsewhere, Anderson’s recital is also deeply resonant. Her words often hang in the air for a split second after they leave her mouth. Over Smith’s gently rousing piano on “Lotus Born, No Need to Fear,” Anderson imbues each description, including “a fish rolling in hot sand,” with such emotion that it floods the mind. https://pitchfork.com/reviews/albums/... ℗ 2019 Smithsonian Folkways Recordings Released on: 2019-09-27