Levko Revutsky: Song, Op.17/1 скачать в хорошем качестве

Levko Revutsky: Song, Op.17/1

Levko "Lev" Mykolajovych Revutskyi (Ukrainian: Левко́ Микола́йович Реву́цький, Russian: Лев Николаевич Ревуцкий; 20 February [O.S. 8 February] 1889 – 30 March 1977) was a Ukrainian composer, teacher, and activist. Amongst his students at the Lysenko Music Institute were the composers Arkady Filippenko and Valentin Silvestrov. In 1903 his parents transferred Revutsky to Kiev's Val'ker gymnasium and simultaneously the music school of Mykola Tumanovsky where he studied fortepiano with Mykola Lysenko. Revutsky later recalled, "Lysenko became for me the first example of artistic ideals." Graduating from the gymnasium in 1907, he entered the physic-mathematics faculty of Kiev University. In 1908, Revutsky also entered law school and at the same time renewed piano classes at the Kiev music college run by the Russian Music Society. He was greatly impressed by visits to Moscow and St. Petersburg where he attended the theatre and concerts. In three years of studies in the premiere course of the school Revutsky had considerable successes. In 1911 he graduated to the higher level in the class of G. Hodorovsky. Revutsky's studies in the class of this master lasted a few years: from 1911 to 1913 year in musical school, and afterwards in the newly opened Kiev conservatory. In the conservatory, Revutsky simultaneously with his piano studies begins to visit Gliere's composition classes. He continued his university studies. The first part of piano sonata (in C minor), sketches for the first symphony, and the prelude of opus four were created at this time. Revutsky graduated from both the university and conservatory in 1916, and went to fight in the First World War. The creative legacy of Levko Revutsky is the original legacy in the world of national music, specifically selected from the general background of artistic culture by the unique harmonic beauty. Unsurpassed melodic standards (in particular, in «Song», cantata-poem «Shawl», row of songs for choir, his Concerto No. 2 for piano with the orchestra) due to an original combination of individual vivid approach with intonation-harmonical and rhythmic facilities of folk lyric songs and thoughts, and laments. Unexcelled aspiration to show his own art at a level of the best European and world classics standards, distinguish the creative handwriting of a great master in all his undertakings. His creation is a deep re-comprehension, successive claim of artistic ideals. The prosecution of folk song in an eventual result opened the extraordinarily wide and complete picture of folk life in general, with the traditions, faith, aspirations. Revutsky in new historical terms repeated what Mykola Lysenko did, — He organically put together folk and professional music. Levko Revutsky further developed the methods of Lysenko and Leontovych. He enriched Ukrainian music with his individual stylistic discoveries. The composer's style of Revutsky was formed on the basis of deep and comprehensive understanding of Ukrainian folk melody and traditions of modern professional music. Life-asserting attitude, lyricism, restraint, breadth and riches of emotions, are inherent in the works of this artist. His measured, expressive melody unites with the saturated, difficult harmony. Revutsky exposed reality and in lyrical-dramatic, and in lyrical-epic keys. His works belong to the treasury of Ukrainian classics (The second symphony and piano concerto are the first considerable works of these genres in Ukrainian music). Revutsky made a considerable contribution to the development of genre folk songs arrangements. There are about 120 such original arrangements in his creative inheritance. -------------------------------------------------------------------------------------------------------------------------- A method to find scores:    • Where I get most of the scores for the cha...   My donation link to keep the channel growing: https://www.paypal.com/paypalme/gamma... Thanks for listening :-)