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Holly Blakey Presents: Phantom
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Holly Blakey Presents: Phantom

Despite always working from an intensely personal place, Holly Blakey has never considered any of her work to be wholly autobiographical, until she worked on Phantom. Originally commissioned by the London Contemporary Dance School for the EDGE Postgraduate Dance Company, Phantom is described by Blakey as “a ritualistic summoning of something that never arrives”, a spiritual interrogation of the symbolism and aesthetics of pagan fertility rites and a wry ode to folk dance traditions. Though she draws heavily from the esoteric and supernatural, the narrative of the piece is very much lifted from Blakey’s own life, rising up out of a very real place. “Phantom was made because I was commissioned to go and make this new work for EDGE and I had just had a miscarriage,” explains Blakey. “I felt completely exhausted and pretty helpless and I hadn’t any ideas and I didn’t know what I was going to do. I didn’t have much strength.” The prospect of creating an original project with a cohort of talented young dancers, none of whom she had auditioned, or even met before, and all of whom were wearing face masks during the initial, socially-distanced rehearsals, was extremely overwhelming. For inspiration Blakey turned to her reference book, which she describes as “a whole load of shit that I’ve scribbled down over the years”, to try to find a place to start. “I opened my book and it was an egg. I was like, this is a bit much, but then I thought, fuck it, I’m just gonna have to go into this.” The result is a dark and dizzying exploration of pain, pleasure, anguish and empathy, a contemporary fertility ritual the purpose of which is felt not in the corporeal world but as a loud and urgent call for togetherness, a rising shout heard as an invocation of a spirit that might look like nothing to the naked eye, but is imbued with libidinal charge, primal affection and emotional honesty. An ensemble performance devised for 14 dancers, the piece features a brutal and exhilarating score from Holly’s partner, Gwilym Gold. “There’s something about Gwil being my partner and writing the music for this thing, the music of this miscarriage, that felt really important to me for this work,” she says. Phantom also features costumes from Chopova Lowena, a pair of London-based designers whose sustainable hybrid practice draws from retro sportswear and Bulgarian folklore. Both elements are stark in their irresistible vulgarity, with Gold’s raging guitar riffs, deftly hammered out on a Fender Rhodes, and layered hand claps providing the perfect counterpoint to the colourful cut and sew of Chopova Lowena’s patchwork creations, which rupture the cold light of Blakey’s stage. “The film is capturing choreography for a live work,” explains Blakey of the film, the first of a new series of original commissions from Fact. “What was very important to me is that it also had a life that felt of its own and of itself.” Tasha Back’s fluid camera gets in far closer to the intricacies of the piece than any live audience could, every heaving sigh, furtive gesture and coquettish retreat captured in vivid detail. For more information about Holly Blakey and her work, follow her on Instagram (  / hollytblakey  ) Phantom Credits: Director – Holly Blakey Executive Producer – Mary Calderwood @ LEZ Creative Producer – Frankie Willcock Music – Gwilym Gold Editor – Jamie Hogson @ Work Editorial Colourist – Myles Bevan @ Time Based Arts Director’s Assistant – Kyra Mills 1st Assistant Director – Gabriel O’Donohoe Runner – Cairn McKenna Runner – Justin Chen Director of Photography – Tasha Back Steadicam Operator – Jay Jaramillo Gomez 1st Assistant Camera – Angela Garcia 2nd Assistant Camera – Kayla Windsor Gaffer – Sebastian Kudanowski Electrician – Marcello Bellini Electrician – Hal Pilkington Sound Recordist – George Precious Medic – Air Medic Dancers – Sarah Baugstø, Tom Cassidy, Benjamin Curtis, Delilah Grocott Cain, James Healy, Lauren Jenkins, Miles Kearley, Liana Kleinman, Hannah Nichols, Mette Nilsen, Alice Pan, Jacquelyn Tepper, Sabrina Vongsuravatana, Trace Yeames Rehearsal Director – Jeannie Steele Filmed at 180 Studios An original film commission by Fact

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