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What began as a simple anamorphic lens test slowly became something else. This film started with no script—just a new Lumix S1II, a set of Blazar Cato anamorphic lenses, and the intention to explore light, movement, and texture. The goal was purely technical: to see the lens character and how it held emotion. But as the day unfolded, the camera stopped testing—and started listening. Through quiet conversations, pauses between takes, and moments in transit, Tsehay began to share pieces of her life journey. Her words, reflections, and presence subtly reshaped the direction of the shoot. What was meant to be an experiment turned into a small, intimate short film about movement, arrival, and becoming. This film lives somewhere between documentation and fiction—between process and story. It’s about the spaces we pass through, the people we meet along the way, and how sometimes, simply arriving isn’t enough. Shot on Lumix S1II Blazar Cato Anamorphic Lenses A film by Alan Algee Featuring Tsehay Naka Cantave