Exploring the "Giant Reverb" and "Four-Delay" Algorithms in the Soma Labs Cosmos скачать в хорошем качестве

Exploring the "Giant Reverb" and "Four-Delay" Algorithms in the Soma Labs Cosmos

We continue our survey of "anti-looping" with the Soma Cosmos, looking specifically at the Giant Reverb and Four-Delay algorithms. As with all of the Cosmos' modes, they take the premise of live looping, and throw large amounts of non-repetitiveness and unpredictability into the equation. We also continue examining compression, filtering, and Feedback, along with Drift (which, as used here, automates the panning of individual loops), Drive, and Erase. The music from this video, along with many other Cosmos recordings, can be downloaded in high fidelity at https://andrelafosse.bandcamp.com/alb... 0:00 Say 'gain? 0:23 Revisiting the Cosmos and its premise 0:40 The four algorithmic categories, and previewing the Four-Delay and Giant Reverb sets 1:32 Feedback, compression, drive, erase, and much let to explore 2:16 Beginning a new performance in the first Four-Delay algorithm 2:25 Automating the loops’ stereo placement with Drift 3:11 Reverse, and the global implications therein 3:37 The first Giant Reverb algorithm, and the blurring of sounds across multiple repetitions 4:37 Public embarrassment as an incentive for remembering parameter limitations 5:20 Textural development through Feedback, lowpass filtering, and compression 6:00 Subsequent overdubs, and the compounded diffusion of layers over time 7:13 Advancing to the second Giant Reverb algorithm, and selective overdubbing 8:18 Returning to the first Giant Reverb 9:37 The third Giant Reverb algorithm (and the specific species nomenclature) 11:06 Return of the smallest giant 11:56 Again with the lower Feedback/compression/highpass thing 12:10 Compressor as magnifying glass, and highpass squashing the lows 13:26 Returning to the Four-Delay realm 14:04 Lowpassing the MBV/Sonic Youth business 14:33 Returning to the Giant Reverbs, and the chopped filtering effect 15:10 Turning off the lowpass filter, and reckoning with its impact 15:40 Return of the revenge of the son of highpass filtering 15:53 Adding light distortion with the Drive control 16:45 No more highpassing 17:10 Moving through different “sizes” of Giant Reverbs, and their textural variations 17:31 Thinner and smaller 17:50 Extreme close-up 18:28 Using the momentary Erase function to “punch holes of silence” into the sound Deep thanks to the following Patreon supporters for helping to finance this tutorial: (in alphabetical order) Randolf Arriola Richard Atkinson Steve Ball and Tiny Orchestral Moments Dan Burke Steven Clements Phil Clevenger Laurence Cramp Hal Dean Tony Douglas Rejyna Douglass-Whitman Jeff Evans Christopher Evans Shawn Farley Christopher Fedak Jason Fink Jens-Christian Fischer Pepe Flores Gaetano Fontanazza Ross Garren Joel Gilardini Randy Greene Anthony Hancock Phil Heiliger Louis Hesselt van Dinter Philipp Hirtler Bob Holub Fedor Indutny Ted Killian Zak Kramer Todd Lainhart Jeff Larson Rebecca Lee Ken Luke Dino Meneghin Jesse Nason Michael Peters Matt Pogue Matt Rowe Gene Schwartz Keith Spicknell Darin Stewart Chris Stromquist Nik Tembe Nakarin Teerapenun Bernhard Wagner Paul Weber Frank Welte #somasynths #soma_laboratory #livelooping #somacosmos #cosmos #rhythmicphasing #granular #granularlooping #microlooping #granularsynthesis #ambientmusic #frippertronics #andrelafosse #guitarlooping #geartalk #guitar #guitarist #musician #music #guitarsdaily #knowyourtone #gearybusey #tonefordays #cleantone #toneheaven #gearnerds #gearphoria #gearpassion #pedalboard #pedalboardoftheday #notpedalbored #pedalboardfrenzy