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Editor Marvin Heiferman joins fellow coeditors Drs. Sarah Lewis and Deborah Willis to honor the late critic Maurice Berger. Aperture’s “Race Stories: Essays on the Power of Images,” the first in the Vision and Justice publishing series, attempts to capture, in the words of Dr. Lewis, “the fire and force” of Berger’s work at the intersections of photography, race, and visual culture. Order “Race Stories”: https://bit.ly/4h5cZuS Watch the 2028 Infinity Award interview with Maurice Berger from ICP: • 2018 Infinity Award: Critical Writing and ... — Thumbnail Image: Deborah Willis, Carrie in EuroSalon, Eaton, Florida, 2004; from Race Stories: Essays on the Power of Images (Aperture, 2024); Courtesy the artist Aperture Conversations Intro Sequence Photo Credits: Joel Meyerowitz, ”Red Interior, Provincetown, Massachusetts,” 1977; Dawit L. Petros, “Hadenbes,” 2005; Kimowan Metchewais, “Indian Handsign, Albuquerque, New Mexico,” 1997. National Museum of the American Indian, Smithsonian Institution; Jamie Hawkesworth, “Untitled,” 2011–21. Courtesy the artist; Thalía Gochez, “Every Worry Melts Away (Naomi Rodriguez and Grace Sanabria), San Francisco,” 2019; Alec Soth, “White Bear Lake, Minnesota,” 2019, © Courtesy the artist; Sean Kelly, New York; Fraenkel Gallery, San Francisco; and Weinstein Hammons Gallery, Minneapolis; Tommy Kha, “Headtown XI/Narcissus VII, Madison Avenue, Midtown, Memphis,” 2021; Sara Cwynar, Film still from “Rose Gold,” 2017, © Sara Cwynar