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The 1992 Tamil film Chinna Gounder, directed by R. V. Udayakumar and starring Vijayakanth in the titular role alongside Sukanya, is a quintessential rural drama that explores themes of integrity, familial duty, conspiracy, and moral resilience. Vijayakanth plays Thavasi, popularly known as Chinna Gounder, a wealthy and highly respected landlord in a village near Pollachi. His family has long held the hereditary position of village judge (panchayat head) for 18 surrounding villages, a role Thavasi inherits after his father's death. Known for his unwavering honesty, Thavasi delivers fair judgments regardless of social status, wealth, or personal ties, earning admiration from villagers and even retired judges. The story begins with Thavasi's principled life disrupted by personal and external conflicts. He marries Devayani (Sukanya), a poor shepherd girl, after a series of humorous yet heartfelt encounters involving her attempts to repay debts and family dynamics. However, his evil brother-in-law, Sakkarai Gounder (or Sakare Gounder), harbors deep resentment and orchestrates a conspiracy against him. The plot thickens around a contentious land dispute involving a newly built village temple on disputed property, complicated by forged documents and old unresolved cases from Thavasi's father's time. Thavasi falls victim to this trap, facing false accusations, betrayal, and unjust blame that threaten his reputation and position. Despite the hardships—including bearing the burden of protecting others (symbolized as guarding crops like a fence)—he endures suffering with quiet dignity. His wife and supporters rally to uncover the truth, leading to a triumphant resurgence where justice prevails, the villain is exposed (and in some interpretations, ultimately forgiven or shunned), and harmony is restored in the village. At the heart of this narrative lies the iconic song "Antha Vaanathap Pola" (composed by Ilaiyaraaja, lyrics by R. V. Udayakumar, sung soulfully by Ilaiyaraaja himself in versions including a poignant sad rendition). The song serves as an emotional centerpiece, often appearing in reflective or melancholic scenes where Thavasi grapples with his sacrifices and undeserved blame. Its lyrics praise the protagonist as a "mannavan" (kingly figure) with a vast, forgiving heart like the sky and a pure character like a dewdrop—qualities that mirror Thavasi's noble, expansive mindset and gentle integrity. Verses delve deeper into existential pain: who lit the fire in the heart's cage? Who wipes away sorrow? Will burnt wounds heal? These lines poignantly capture Thavasi's inner turmoil—protecting the "crop" (the village and its people) at personal cost, enduring needless "paḻi" (blame), and questioning divine justice amid suffering. The song fits seamlessly as a philosophical lament and tribute to Thavasi's character. It humanizes the stoic hero, highlighting how his selflessness leads to isolation and pain, yet reinforces his moral strength. In the film's emotional arc, it underscores the cost of righteousness in a world of conspiracy and envy, making Thavasi's eventual vindication all the more cathartic. This blend of folk wisdom, melancholy melody, and profound lyrics elevates Chinna Gounder from a typical village drama to a timeless ode to principled leadership.