Liszt - Apparition No. 3, S155 (Michel Bourdoncle) скачать в хорошем качестве

Liszt - Apparition No. 3, S155 (Michel Bourdoncle)

It was in the summer of 1834 at La Chênaie that Liszt discovered himself as a composer; several significant compositions were born here which bear the unmistakable imprint of his mature style, including the Harmonies poétiques et religieuses and the three Apparitions. Even though the Apparitions are totally neglected in today's concert scene, it was these extraordinarily avant-garde works which forced the doubters to reconsider, and which, along with the re-examination of the late pieces, led to the re-appraisal of Liszt in the middle of the twentieth century. The third Apparition is almost like a composer under some hallucinogenic drug, dreaming of a Schubert waltz (the basis of the piece being Schubert's Waltz in F Major, Op. 9, No. 33). Imbued with a fantastical energy, it is a unique contribution to piano literature (along with being probably the first ever Schubert transcription) and radically different from the later use of the same waltz in Liszt's Soirées de Vienne.