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In this conversation, I sit down with Aidan Hart, an internationally renowned iconographer, liturgical artist, and multiple-time artist commissioned by King Charles III, to explore the meaning of sacred art in the modern world. We discuss what iconography really is, why hierarchy does not mean domination but the transmission of grace, and how the architecture of East and West reveals radically different theological visions. Aidan explains the difference between Romanesque and Byzantine art, why darkness in a church reveals light rather than hides it, and how sacred geometry quietly shapes the composition of icons. We also explore the surprising connections between Celtic and Coptic Christianity, the Egyptian roots of interlaced design, and how early trade routes shaped Christian art in Britain. Along the way, Aidan reflects on his time as a novice monk, his work in monasteries, and why he ultimately left the hermitage in order to live a quieter life. The conversation moves into modern art (Kandinsky, Brancusi, Matisse) and how 20th-century abstraction was deeply influenced by Orthodox iconography. We discuss elongation in icon painting, the meaning of abstraction, and the hidden mathematical proportions behind sacred images. If you are interested in theology, sacred architecture, hierarchy, beauty, Orthodox Christianity, Romanesque art, or the philosophy of modern art, this episode is for you. Aidan's sites: https://www.aidanharticons.com/ https://www.aidanhartmosaics.com/ https://www.aidanharticons.com/furnis... my sites: https://matthewwilkinson.net/ / matthewwilkinsonmusic