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"Teraz Jest Wojna" - or "Cielito Lindo" - from the movie "Zakazane Piosenki" || シエリト・リンド Arr. for violin and piano by Piotr Milewski. Performed by Piotr Milewski - violin, Sandra Rivers - piano Piotr Milewski - skrzypce, Sandra Rivers - fortepian The song "Now there is war" [Teraz Jest Wojna] from the Polish movie "Forbidden Songs" [Zakazane Piosenki] - derived from "Cielito Lindo", deservedly a very popular XIX Century Mexican song. According to Wikipedia: "The melody of the song was used in Nazi-occupied Poland in a popular street chant "Teraz jest wojna" ("Now there is war") sung by street musicians and resistance movement ." Piotr Milewski is a prize-winner of Queen Elisabeth, Wieniawski, Paganini & Sibelius international violin competitions. As a winner of The Juilliard Concerto Competition he performed Prokofiev Concerto in D-major at Alice Tully Hall. He performed the Wieniawski f-sharp minor concerto at the Musikverein Hall in Vienna. "Strong, solid soloist, Piotr Milewski" "can play with a warm, sure tone, and shape phrases in a vigorous, natural sounding way ... played with the physical security one expects from every contest winner but in a full blooded, engaging manner that was very much of his own ... a performance full of impulsive, excited moments ... an ability to create washes of impressionistic sounds ... a spirited, rhythmically live rendition." The New York Times "Brilliant Start ... It was Milewski's Vienna debut which made the evening worthwhile. Not only technically is he extremely talented, but proved in the Wieniawski to have vital musicality with fine sense of rhythm and phrasing." Wiener Presse (Vienna) "Self-confident Polish violinist, Piotr Milewski, showed individual drive, technical bravura and warm musicality. A secure virtuoso ... rarely has Paganini's Caprice been heard with such a clear sound, temperament and technical security. Bach's g-minor Adagio was performed with meditative calmness and beauty which makes the great music really great." Stuttgarter Zeitung (Germany) "Piotr Milewski ennobled his solo part with tricky double stops and virtuoso gestures. A Paganini with sensitivity." Basler Zeitung (Basel, Switzerland)