Why Your Solos Don’t Sound Musical (Even If You Practice a Lot) скачать в хорошем качестве

Why Your Solos Don’t Sound Musical (Even If You Practice a Lot)

Have you ever practiced a lot… only to feel like none of it shows up when it’s time to actually solo? You’re not alone — and the problem is NOT that you’re practicing the “wrong things.” In this video, I break down why your solos don’t sound musical, even if you’re putting in the hours, and what’s really missing when practice doesn’t translate into improvisation. The key is rhythm. Rhythm is the vehicle of melodic language — and it’s the #1 thing most players don’t truly internalize in their practice. In this lesson, I show you how to: • Transform what you already practice into real music • Use rhythm to unlock phrasing and spontaneity • Stop sounding like you’re “running exercises” • Start creating musical, connected improvisations • Think of material as inspiration, not something to repeat mechanically Using a simple diatonic framework, I demonstrate how rhythm, deconstruction, and note re-ordering can turn any idea into expressive improvisation — and how this process compounds over time. If you’ve ever felt stuck, frustrated, or confused about why your practice doesn’t translate into your solos, this video will change how you think about improvisation. 🎷 This concept connects directly with my other rhythm-based improvisation videos, especially how to use scales, shapes, and simple material musically. Let me know in the comments what part of improvisation feels the most confusing right now — I read them all. If you want to go deeper into this rhythm-first approach to improvisation, this is something we work on extensively inside IMC (Improv Mastery Circle). IMC is a guided community where I help players turn what they practice into real, musical improvisation through clear frameworks, monthly live sessions, and long-term development. JOIN HERE: https://www.tonealley.academy/jazzimp...