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Hardtechno terror night @ Zac Angskyda ============ SUSCRIBE AND SUPORT FRIEND connect: / zac.angskyda Acid The Acid tag is usually used in conjunction with other styles like Techno or Trance or Breaks, to indicate those styles of music combined with an "acid" aesthetic. Acid House, however, has its own tag (see below). Pretty much anything that uses a Roland TB-303-type sound in the same way it was used in Acid House music is fair game for getting the Acid tag Industrial Industrial music is a genre of experimental music that emerged in the mid-1970s. Its basic components are semi-acoustic and include the use of electronic instruments as well as unusual objects such as metal rods and pipes, and rigged power tools. It incorporates noise, tape manipulation, drones, metallic timbres, monotonous rhythms evocative of machinery, and similar "factory floor" aesthetics. Traditional instruments are sometimes used, but usually in non-traditional ways. Vocals, if present, tend to be either disaffected or angry. Lyrical content tends to embody dark themes, as well as protest, tension, uncertainty, and the like. As with many alternative styles, it generally eschews pop melodies, virtuosic solos, and romantic themes. Industrial has always had a fragmented identity, not having anywhere near as cohesive a sound as most other electronic genres, and it has long had a love/hate relationship with dance music. In its early years (mid-1970s to mid 1980s), industrial music was partly rhythmic but rarely danceclub-friendly, and was predominantly a product of the heady British, Australian, and European art-school scenes. After the split of Throbbing Gristle in 1981, Industrial music s pawned several subgenres that have been described as Post-industrial music. This includes genres such as Power Electronics (Whitehouse), Ambient Industrial or Dark Ambient (Lustmørd), Martial Industrial (Laibach), Ritual music (Zero Kama), and Electronic body music, a genre that combines Industrial elements with early Electro-punk (DAF). hardtechno schranz Schranz is a hard, minimalist and fast (mostly between 140 and 160 BPM) style of electronic dance music, which is mainly enriched with sounds and machine-like sounds. It is distinguished by repetitive, distorted percussion loops and a mostly monotonous character. Schranz represents a variant of the tool and loop technology and can be described as a pioneer of Hardtechno.