Anton Reicha - Duo Concertant, Op. 103 for Flute and Piano (c. 1821) скачать в хорошем качестве

Anton Reicha - Duo Concertant, Op. 103 for Flute and Piano (c. 1821)

Anton (Antonín, Antoine) Joseph Reicha (Rejcha) (26 February 1770 – 28 May 1836) was a Czech-born, Bavarian-educated, later naturalized French composer and music theorist. A contemporary and lifelong friend of Beethoven, he is now best remembered for his substantial early contributions to the wind quintet literature and his role as teacher of pupils including Franz Liszt, Hector Berlioz and César Franck. He was also an accomplished theorist, and wrote several treatises on various aspects of composition. Some of his theoretical work dealt with experimental methods of composition, which he applied in a variety of works such as fugues and études for piano and string quartet. Please support my channel: https://ko-fi.com/bartjebartmans Duo Concertant in D major, Op. 103 for Flute and Piano (c. 1821) Dedication: Mr. Chambord 1. Lento - Allegro non troppo (0:00) 2. Lento (8:12) 3. Allegro vivace (15:55) Kathinka Pasveer, flute and Stanley Hoogland, piano Radio Broadcast December 2, 1984 Hilversum Reicha is best known today for his 25 wind quintets, composed in Paris between 1811 and 1820, which were mostly premiered from 1817 in the foyer of the Théâtre Favart by some of the world's finest wind soloists, to such effect that they were played all over Europe shortly afterward. Reicha claimed in his memoirs that his wind quintets filled a void: "At that time, there was a dearth not only of good classic[al] music, but of any good music at all for wind instruments, simply because the composers knew little of their technique." Indeed, Reicha's experiences as a flautist must have helped in the creation of these pieces, in which he systematically explored the possibilities of the wind ensemble and invented an extended sonata form variant that could accommodate as many as five principal themes. Reicha wrote his first experimental quintet in 1811; the 'incomparably superior' first two of the later published quintets of Opus 88 were written by 1814 after further study of the instruments and collaboration with his players, with the remaining four completed before publication in 1817. Three further sets of six were published as Opus 91 in 1818, Opus 99 in 1819 and Opus 100 in 1820. Kathinka Pasveer was born in Zaandam, The Netherlands, daughter of the conductor Jan Pasveer, who also taught at the Amsterdam Conservatory. She studied with Frans Vester at the Royal Conservatory of The Hague, where she received her performer's diploma, with the distinction of the Nicolai Prize in 1983. During her final year of studies she was the principal flutist of the Gewestelijk Orkest Zuid-Holland. From 1998 up to the present time, Pasveer has taught the interpretation of Stockhausen's works at the Stockhausen Courses for New Music held each summer in Kürten. Beginning in 1983, she assisted Stockhausen in the production of recordings and learned from him the techniques of sound projection used in most of his works. Since the composer’s death, she has acted as sound projectionist in many live performances, and has produced and mixed down all the recordings in the Stockhausen Complete Edition. Stockhausen also entrusted her, together with Antonio Pérez-Abellán, with the production of the sound loops in the 24 individual layers of his electronic work Cosmic Pulses in 2006. n 1983 Stockhausen composed KATHINKAs GESANG (flute and 6 percussionists) for Kathinka. He dedicated many other works to her. Stanley Hoogland (Deventer, 30 april 1939) is a Dutch pianist who specializes in fortepiano. He studied piano and music theory at the Conservatory of Amsterdam with Jaap Spaanderman. He continued his studies in London with Maria Curcio and in Bloomington, USA with Menahem Pressler. Stanley Hoogland was one of the first to specialize in fortepiano and its repertoire. He made many recordings with this instrument in the beginning of the seventies, often in duo, with cellist Anner Bijlsma, violinist Vera Beths, cellist Hidemi Suzuki and flutist Frans Vester. He was a member of the Amsterdam Fortepiano Trio and many times a soloist with the Orchestra of the Eigthteenth Century conducted by Frans Brüggen. He also was a piano teacher at the Royal Conservatory of Music in The Hague, the Netherlands.