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domesticated wind

Domesticated Wind Recordings, 2015-2016 Kaspar König, Idea, Realisation, Photography Sourgiadaki Eirini Wind tunnel Operator Andrew Phillips Recording and Realisation Yan Junjie Video and Photography Daniel Löwenbrück Curation & Production Rumspti Pumpsti At the Windtunnel Facility of the Research Focus in Transdisciplinarities by Prof. Florian Dombois , Zurich University of the Arts. This Recording was made possible thanks to this Research Focus . This audio release, recorded in 2015 and 2016 is about domesticating the WIND. Therefore the material for the release took place in a windtunnel where we could set up recordingstrategies under controlled windy conditions. Microphones tend to have difficulties with recording wind, since atmospheric pressure and physical vibration are causing the membrane to go insane. Clipping and distortive noise are often the result of stochastic wind behaviour. In a windtunnel one can adapt the wind speed to the sound result and can hover the wind-molecules by adjusting the wind speed just before clipping is due to occur. In any case the setup and the strategie is to listen to different microphones in different angels exposed to the wind. On top the resulting effects inspired us to continue with experiments not only involving microphones anymore.. A bliss moment of research-envisioning occurred to me in summer 2015 while working on the windtunnel at our artistic research facility, wondering about „aerodynic properties“ and their measurement tools. How to control the behaviour of microphones in the wind. I heard the „Heard Laboratories“ from Ernst Karel and was fascinated by the ground-buzz of spaces in use. And naturally i recalled all my recordings in Laboratories to search for specific ambiances and sound-happenings that sound „normal“ or like a common laboratory people can imagine. When we were working towards the recordings in the Windtunnel (-laboratory) i imagined the common-ness of this lab is rare and it would be hard to imagine what type of laboratory we are using. Since the windtunnel is placed on top of the University of the arts in Zürich in a semi-open-space, we were also exposed to the sound of airplanes, trains and urban “wildlife“ inevitable around us. Exactly those things that are normally tested in the Windtunnel surrounded us and we managed to focus the sound as much as possible into the tunnel away from the objects or models. Straight in the wind. After testing several microphones intensively, we heard that some sensitive Microphones would resist the windnoise up to a high level of wind. We could basically use them in „any“ situation and under different angles towards the wind. We pushed all the microphones to the limit just before clipping and stochastic noise occurs. Only a windtunnel can help out in this research since the speed of the wind is adjustable and the time and ease to find angles of interest as well. Sourgiadaki Eirini Wind tunnel Operator Andrew Phillips Recording and Experimentator Yan Junjie Video and Photo Kaspar König Experimentator and Soundresearch The Photos of the microphones, The photos of the experiments With piano / Windharp extended The Microphones we choose to use after intense testing: • Neumann KSM105, PR35, KSM32 • sennheiser MD421, MD411, MD21 • Revox &AKG D1000 C • Behringer C2 • Schertler Basik • Schertler A-Dyn, Aeolian Harp and Piano